The Canon EOS R5 and Sony a1 are the talk of the town right now, with their 8K video capabilities turning a lot of heads. If you are wondering which one is right for your own work, check out this great video review that takes a deep look at the video capabilities of both cameras.
Canon has been blazing full speed ahead with its RF lenses, with two of the new models being the RF 800mm f/11 IS STM and the RF 100-500mm f/4.5-7.1L IS USM. Both feature some of the company’s latest designs and features, but offer vastly different capabilities and price points. Which one is right for you? This excellent video comparison takes a look at the image quality and experience of using both.
Nikkei recent published a synopsis of Techno System Research’s Market Share Survey for 2020, a detailed paywalled survey of camera shipment data from major manufacturers. The headline is a 5.0% drop for Nikon, decreasing its total market share. This isn’t great news for Nikon, but is it all it seems?
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get “in the action” for impactful portraits, yet it was wide enough to capture wide angle scenes. But a new lens has recently won my heart and assumed the top spot in my kit. In this video and article, I’ll be walking through a photoshoot while demonstrating why the Canon RF 28-70mm f/2 lens is my favorite lens of all time.
A wide angle zoom lens is one of the most versatile out there, useful for a wide variety of scenarios in both photo and video work. For those who do not need the extra-wide aperture of an f/2.8 lens, an f/4 version can save a lot of bulk and money. Canon’s RF 14-35mm f/4L IS USM lens features a wider focal length than most such zooms and adds image stabilization, and this great video review takes a look at the performance and image quality you can expect from it in practice.
Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon’s 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?
Sigma’s latest lens is the 16-28mm f/2.8 DG DN Contemporary, and it offers the versatility of a wide angle zoom with a wide maximum aperture at a price that significantly undercuts typical first-party offerings of the sort, making it an intriguing option for many photographers and filmmakers. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
Standard zoom lenses with f/2.8 apertures are some of the most popular workhorses out there, as they cover many commonly used focal lengths and offer enough light-gathering power to handle a wide range of scenarios and needs. However, such lenses can be quite expensive, which is why the Tamron 17-70mm f/2.8 Di III-A VC RXD, which comes in at $799, is such an intriguing option. This excellent video review takes a look at the lens and if its performance and image quality can outpace its bargain price tag.
When I got the opportunity to test out this lens, I jumped at the chance. An ultra-wide angle zoom at f/2.8 would be great for so many different photographic applications: landscape, architectural, interior, astrophotography, events, creative, and video, to name a few. Did I get the opportunity to test it out with all of these? No, but what I did get to try certainly produced the results.
