It might seem like full frame users get all the fun lenses, but APS-C shooters still make up a large portion of photographers. And while they can often use certain full frame lenses, having options made for specifically APS-C can save on size, weight, and price, often quite significantly. Sigma’s new 18-50mm f/2.8 DC DN Contemporary lens is made specifically for APS-C users, and this excellent video review takes a look at the performance and image quality you can expect from it.
Laowa’s ever-increasing wide angle lens range is getting larger with the introduction of the 12-24mm f/5.6 C-Dreamer for mirrorless cameras. With a fixed f/5.6 aperture throughout the zoom range, an all-metal construction, 15 elements in 11 groups, is this lens a dream to use?
Tamron has continued to establish themselves as a company that creates both lenses that make smart compromises to get to affordable price points and others that push the boundaries of design. The new 20-40mm f/2.8 Di III VXD is quite the interesting option, sitting somewhere between a wide angle zoom and a standard zoom. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
The camera world is absolutely awash in supertelephoto zoom lenses right now, and there are plenty of options out there with varying capabilities and price points. This excellent video comparison takes a look at two of the best options, the Sigma 150-600mm f/5-6.3 DG DN OS Sports and the Sony FE 200-600mm f/5.6-6.3 G OSS.
It’s the holy war of the photography world: Mirrorless versus DSLR. It’s also, these days, a largely irrelevant question, as both technologies are pretty far along and end up doing about the same thing. Photographer David Bergman takes a look at a reader question and offers his thoughts on what’s better.
