Today, Panasonic introduced their latest full-frame L-mount lens. The Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. is a telephoto zoom lens that opens up possibilities in a wide range of shooting situations.
The M1 architecture released by Apple late last year completely blew away the expectations of many tech enthusiasts, myself included. Now that the dust has settled after a few months for apps to grow into the new system, how well does the M1 chip handle photo and video editing?
Leica has unveiled a new L mount zoom lens: the Leica Vario-Elmarit-SL 24-70mm f/2.8 ASPH.
A location can make or break a photograph, so don’t get caught in a bad spot. Fortunately, you don’t need to go heading out for hours on end to learn how to do this. In this article, I’ve put together five of the most powerful techniques you can use to make the best of a bad location.
Professional-quality supertelephoto zoom lenses have exploded onto the market in the last few years, and one of the most versatile and impressive options out there is the Canon RF 100-500mm f/4.5-7.1L IS USM. This fantastic video review takes a look at the lens and the kind of performance and image quality you can expect from it in real-world usage.
Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too. So, how do they perform, and which comes out on top?
When you think of landscape photography and the lenses used, you likely think of wide angle options meant to capture all of the scene in one frame. And while those absolutely have their place, longer focal lengths can enable creative possibilities that weren’t possible before. This great video examines what you can accomplish with a longer lens.