The new Tamron 20-40mm f/2.8 Di III VXD is one of the more interesting lenses to come along in a while, offering an intriguing focal length range that sacrifices reach at the long end compared to a 24-70mm for the ability to go wider than the usual 24mm, putting it somewhere between a standard zoom and an ultra-wide angle zoom. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
100-400mm f/4.5-5.6 lenses are highly popular among photographers, as they offer the reach of supertelephoto focal lengths and the versatility of a zoom, all in a package that is significantly more affordable than professional supertelephoto prime lenses. This excellent video review takes a look at Sony’s option, the FE 100-400mm f/4.5-5.6 GM OSS lens.
SmugMug, a household name when it comes to online image hosting, has developed a new service called Source. Already known for their incredible functions in online display and sales of images, SmugMug is taking the next leap towards providing photographers with new, never-seen-before cloud storage and management service for next to nothing.
I think that it’s often difficult for people to understand or see the real struggles that female and nonbinary creatives face in the photography industry. If you’ve been keeping up with current news, Canon has faced some criticism recently. They aren’t the first and won’t be the last to make a huge diversity misstep.
Two successful SpaceX missions last week, one on each coast, prompted me to review my rocket launch photo procedures, particularly since the Monday (Sept. 13) launch from Vandenberg Space Force Base was the first after a long hiatus. For those of us in southern California, it was a photo op we were eagerly awaiting since it was scheduled for after sunset.
Supertelephoto zoom lenses have made remarkable strides in recent years, and the kind of image quality that used to be exclusive to the most expensive professional prime models is now available at much more affordable prices and with the added versatility of variable focal lengths. One such example is the Canon RF 100-500mm f/4.5-7.1L IS USM, and this great video shows just how well it performs, even in low light and with teleconverters.
It is quite often overlooked when it comes down to creating a stunning photograph, although it has a big impact on the composition and even on the story of an image. We are talking about the right focal length. Avoid one of the biggest traps about focal lengths and find out how to impact your composition with the right lens.
When it comes to landscape photography, the lens of choice is normally a wide angle focal length, such as a 24mm prime or 16-35mm zoom. Professionals often advocate exploring longer focal lengths by using something like a 70-200mm lens, but what about when you go even longer — much longer? This neat video explores creating landscape photos using an extra-long focal length.
