Fall tends to be a “transitional” season for the astrophotographer. Summer constellations are still visible for early evening, but are quickly fading into the sunset. Late in the evening, some of the prominent Winter constellations are starting to come into view. In a few months these winter constellations will be high in the sky and well placed for astrophotography, so now is the time to do some planning.
100-400mm zoom lenses are some of the most popular out there, offering a highly versatile focal length range suitable for just about everything from wildlife photography to sports and more. There are many versions of such lenses at a wide range of prices, with the Canon RF 100-400mm f/5.6-8 IS USM sitting at the budget end of things, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in real-world usage.
Ultra-wide angle zoom lenses are useful for a wide range of applications, with professional models generally employing an f/2.8 aperture. However, not all photographers need to spend the kind of money or lug around the weight that comes with such a lens. Nikon’s NIKKOR Z 14-30mm f/4 S offers all the benefits of an ultra-wide angle zoom without that bulk or expensive price, and this great video takes a look at the sort of performance and image quality you can expect from it.
A wide angle zoom lens is a versatile option suitable for a wide range of scenarios, and for Fujifilm shooters, one option is the XF 10-24mm f/4 R OIS WR lens, a recent update to the original. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Medium format lenses tend to be pricier than their full frame or APS-C counterparts; after all, a bigger sensor requires bigger glass to match it. A sub-$1,000 medium format lens is a rarity; even rarer is a sub-$1,000 zoom lens. Fujifilm’s GF 35-70mm f/4.5-5.6 WR fits the bill, though, and this great video review takes a look at the lens and how it holds up on the GFX 50S II.
