Photographer Roger Ballen’s signature style, which has come to be known as the “Bellenesque” aesthetic, didn’t develop overnight. In fact, it took five decades of trial and error to fully mature into what we see today.
Now and again, we all get the desire to buy new kit; it’s only to be expected with the way new tech is marketed, combined with our desire to improve our craft. Do you need that new piece of equipment? Is it time to jump from a cropped sensor to a full frame? Should you move from DSLR to mirrorless? Will it improve your photography?
A lot of us love to geek out over gear; no doubt, the incredible extremes of design and capabilities in modern lenses are mightily impressive. However, it can be easy to get a little too caught up in that hype. So, if you could only choose one lens to take with you forever, what would it be? This neat video discusses the idea.
When it comes to supertelephoto zoom lenses, Canon mirrorless shooters have two options, the RF 100-500mm f/4.5-7.1 L IS USM and the RF 100-400mm f/5.6-8 IS USM. With different prices and feature sets, these two lenses fill different needs, and this helpful video comparison will help you choose the right option for your work.
The new Tamron 20-40mm f/2.8 Di III VXD is one of the more interesting lenses to come along in a while, offering an intriguing focal length range that sacrifices reach at the long end compared to a 24-70mm for the ability to go wider than the usual 24mm, putting it somewhere between a standard zoom and an ultra-wide angle zoom. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.