A wide angle zoom lens is one of the most versatile out there, useful for a wide variety of scenarios in both photo and video work. For those who do not need the extra-wide aperture of an f/2.8 lens, an f/4 version can save a lot of bulk and money. Canon’s RF 14-35mm f/4L IS USM lens features a wider focal length than most such zooms and adds image stabilization, and this great video review takes a look at the performance and image quality you can expect from it in practice.
Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon’s 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?
Sigma’s latest lens is the 16-28mm f/2.8 DG DN Contemporary, and it offers the versatility of a wide angle zoom with a wide maximum aperture at a price that significantly undercuts typical first-party offerings of the sort, making it an intriguing option for many photographers and filmmakers. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
Standard zoom lenses with f/2.8 apertures are some of the most popular workhorses out there, as they cover many commonly used focal lengths and offer enough light-gathering power to handle a wide range of scenarios and needs. However, such lenses can be quite expensive, which is why the Tamron 17-70mm f/2.8 Di III-A VC RXD, which comes in at $799, is such an intriguing option. This excellent video review takes a look at the lens and if its performance and image quality can outpace its bargain price tag.
When I got the opportunity to test out this lens, I jumped at the chance. An ultra-wide angle zoom at f/2.8 would be great for so many different photographic applications: landscape, architectural, interior, astrophotography, events, creative, and video, to name a few. Did I get the opportunity to test it out with all of these? No, but what I did get to try certainly produced the results.
It’s the battle of the best of the best from two titans of the photography industry. No, I’m not talking about Sony versus Canon. I’m talking about the Canon EOS R5 versus an iPhone 12 Pro Max, and the results are surprising, to say the least.
Photographers often look for the “epic” shot — the one that will stand out, get thousands of social media likes, and get printed by our clients for wall art. While these photos are important, it’s also essential to slow down and look for the other images in the scene that help tell a story and capture the vibe and emotion of the moment. In this video, we’ll review a simple storytelling framework called “Wide, Medium, Tight” to help you find these opportunities.
