There are staple telephoto lenses, such as the 70-200mm, but this photographer believes the standout winner and the most underrated Sony lens, is a 100-400mm.
The camera world is absolutely awash in supertelephoto zoom lenses right now, and there are plenty of options out there with varying capabilities and price points. This excellent video comparison takes a look at two of the best options, the Sigma 150-600mm f/5-6.3 DG DN OS Sports and the Sony FE 200-600mm f/5.6-6.3 G OSS.
It’s the holy war of the photography world: Mirrorless versus DSLR. It’s also, these days, a largely irrelevant question, as both technologies are pretty far along and end up doing about the same thing. Photographer David Bergman takes a look at a reader question and offers his thoughts on what’s better.
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
One thing is for sure: Nikon mirrorless shooters are not at a loss for choice when it comes to standard zoom lenses. With four native options from Nikon, plus the option to pretty seamlessly adapt F mount options, you might be wondering which lens in the crowded field is right for your needs and budget. This excellent video comparison takes a look at five options and all their pros and cons to help you make the right choice.
If you are new to photography, one of the most important distinctions you should learn is the difference between prime and zoom lenses. While neither is better than the other, they each have distinct advantages and disadvantages, which is why some photographers prefer primes and some stick with zooms. This helpful video discusses why one photographer prefers primes.
An ultra-wide angle zoom lens is a useful tool for many different genres, and while the professional standard of such lenses is usually f/2.8, those who do not need that extra stop can save a lot of weight and money by opting for an f/4 version. This excellent video review takes a look at one such lens for Nikon mirrorless shooters, the NIKKOR Z 14-30mm f/4 S.