A 24-70mm f/2.8 is the bread and butter lens for a huge range of photographers and filmmakers, offering a wide maximum aperture in tandem with some of the most commonly used focal lengths. Nonetheless, such lenses are rarely cheap. Samyang’s 24-70mm f/2.8 AF Zoom bucks that trend, however, making it quite the interesting option for a lot of creatives, and this great video review takes a look at the image quality and performance you can expect from it in practice.
When I first heard of this Sony 16-35mm f/4 lens with power zoom, I looked at it as a gimmick feature. But after actually getting to use the lens, I think people are really going to love this lens.
Camera phones have become remarkably advanced in the last few years, especially as we have seen some impressive advancements in computational photography that help to offset the drawbacks of their small sensors. Sony’s new Xperia 1 IV ups the ante even more by being the first phone with an optical zoom, and this great video review takes a look at the sort of performance and image quality you can expect from it.
A few years ago, if you wanted good image quality from a supertelephoto zoom lens, your only real choice was a first-party option. In the past few years, however, we have seen a real surge in high-quality third-party options that offer a lot of versatility and image quality at prices that often significantly undercut first-party lenses. This great video review takes a look at three of those, the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Tamron 150-500mm f/5-6.7 Di III VXD, and Sigma 100-400mm f/5-6.3 DG DN OS Contemporary.
While most of us own multiple lenses suited for different purposes, sometimes, whether for convenience or necessity, we want one lens that can handle all possible situations. For Sony shooters, there is the Tamron 28-200mm f/2.8-5.6 Di III RXD, and this excellent video review takes a look at what you can expect from it in practice.
The Canon EOS R5 and Sony a1 are the talk of the town right now, with their 8K video capabilities turning a lot of heads. If you are wondering which one is right for your own work, check out this great video review that takes a deep look at the video capabilities of both cameras.
Canon has been blazing full speed ahead with its RF lenses, with two of the new models being the RF 800mm f/11 IS STM and the RF 100-500mm f/4.5-7.1L IS USM. Both feature some of the company’s latest designs and features, but offer vastly different capabilities and price points. Which one is right for you? This excellent video comparison takes a look at the image quality and experience of using both.
Nikkei recent published a synopsis of Techno System Research’s Market Share Survey for 2020, a detailed paywalled survey of camera shipment data from major manufacturers. The headline is a 5.0% drop for Nikon, decreasing its total market share. This isn’t great news for Nikon, but is it all it seems?
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get “in the action” for impactful portraits, yet it was wide enough to capture wide angle scenes. But a new lens has recently won my heart and assumed the top spot in my kit. In this video and article, I’ll be walking through a photoshoot while demonstrating why the Canon RF 28-70mm f/2 lens is my favorite lens of all time.
