Coming to you from Adam Gibbs
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The Snyder Cut Versus Justice League: How Editing Can Change Everything
In 2017 Joss Wheadon’s Justice League movie was released and for the most part, reviews weren’t great. The movie seemed like a bad mishmash of conflicting ideas and tones, which lead it to be panned critically and it was also a financial disappointment. After years of campaigning, Zack Snyder’s original vision is here and it feels like a different movie.
The Sony 14mm f/1.8 GM: How Good Is It and How Does It Compare to the Sigma 14mm?
Sony just announced a lens that will get landscape photographers and astrophotographers excited: the 14mm f/1.8 GM. Check out this review from Gerald Undone and find out how it compares to the Sigma 14mm f/1.8 DG HSM.
A Review of the Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
100-400mm f/4.5-5.6 lenses are highly popular among photographers, as they offer the reach of supertelephoto focal lengths and the versatility of a zoom, all in a package that is significantly more affordable than professional supertelephoto prime lenses. This excellent video review takes a look at Sony’s option, the FE 100-400mm f/4.5-5.6 GM OSS lens.
A Review of the Tamron 28-200mm f/2.8-5.6 Di III RXD Lens
Tamron has become well known for their ability to create lenses that strike intelligent balances between portability, image quality, performance, capabilities, and most importantly, price. The 28-200mm f/2.8-5.6 Di III RXD offers an all-in-one solution that covers almost every focal length most photographers need in an impressively small and affordable package. How does it perform in the real world? This excellent video review takes a look.
A Five-Step Process to Shooting Moody Landscape Photos
A lot of landscape photos are vibrant, bright, and bursting with color, light, and life, but of course, that is not the only way to create a compelling image. Moody landscapes can be just as eye-catching, and this awesome video tutorial will show you a five-step process to creating them.
Is 12 Megapixels Enough? Sony a7S III Print Comparison
With the release of the Sony a7S III, many people are asking the question: is 12 megapixels enough resolution? Can you shoot client work or make large prints if you only have a 12-megapixel sensor? These are important questions for the photographer or videographer seeking the perfect camera.
How Good Is the Impressively Affordable Tamron 20mm f/2.8 Di III OSD M 1:2 Lens?
Currently on sale for just $249 and weighing less than half a pound, the Tamron 20mm f/2.8 Di III OSD M 1:2 lens is an affordable, versatile, and highly portable lens. How does it hold up in practice? This excellent video review takes a look at the sort of performance and image quality you can expect from it.
Why You Should Start Selling Postcards Through Your Website and How to Do It
Many photographers would love to sell prints from their website but holding stock is expensive, shipping can be complicated, and buying a quality print can be a significant investment of money and wallspace that won’t appeal to a large chunk of your audience. Why not sell postcards instead?
How Big of an Issue Is the Canon EOS R5’s Overheating in the Real World?
When the Canon EOS R5 was first announced, one of its marquee features was its 8K raw video, but videographers quickly ran into issues with the camera overheating when recording in both 8K and 4K, leading some to question just how useful the camera actually is for video work. How much is this truly an issue in real-world usage, though? This excellent video review features a cinematographer and director discussing how the camera performs in specific modes after months of usage.
