When we capture a 3D environment in 2D, the perceived depth can be lost due to the colors in the scene. In this short tutorial, I’ll show you one way of bringing back the depth in your image.
As we transition from summer to fall, two of the most photogenic planets, Jupiter and Saturn, have passed the point of closest approach (opposition) to the Earth for the year. Yet, they still make great targets for planetary astrophotography, especially since they are now high in the sky soon after sunset. As another bonus, photographing these planets does not require traveling to a dark sky site. This kind of astrophotography can be done from our backyards.
One of the biggest confusions that you might notice as you venture into astrophotography is that photographers and astronomers measure their equipment differently. Photographers tend to refer to their lenses in terms of their focal length, while astronomers refer to their telescopes by the diameter of their opening. Thus, a 75mm f/6 telescope has a focal length of 450mm. Meanwhile, a 75mm camera lens at f/6 has an aperture of 12.5mm. If a photographer is told that someone is shooting a 155mm lens hand-held, it would not raise an eyebrow, but an astronomer told the same thing would be incredulous! I can only barely lift my 155mm telescope onto its mount!
I’ve recently been trying out the new On1 Photo Raw 2022 software. I tested it out on some images from a recent fall photo shoot. Being a landscape photographer and Lightroom Classic user, I discovered that there are some differences that I like and others that I don’t. Here are some of my thoughts thus far.