Light painting might be a staple technique most photographers try and learn early on in their time with their first camera, but it has occasional commercial applications. One of the best examples of that is automotive photography. In this video, see an edit of a light-painted Porsche from start to finish.
Studio photographers are often admired for their lighting skills, and for good reason. Creating compelling portrait lighting is not only extremely difficult, but requires lighting gear, backdrops, and a shooting space. Editing can play either a small or large role in the final image. Have you ever wondered how much of what you see was created in camera, as opposed to in the editing room? In this article, I will show you some before and after images from my own studio work and lift the veil on my editing process.
As creatives, we often spend a good amount of time at our desks, and this past year for a lot of us has seen that amount of time double if not triple. Sales of desk chairs over the last year shows that we are not alone in that, but how much research did you do into buying your desk chair?
If you are going to shoot a model, it is great to have an idea about the right lighting setup. Experimenting when the model is standing in front of your camera may not be the best time to do this. With the software set.a.light.3D, it is possible to simulate any possible lighting setup imaginable.
Most of us simply take our photographs, pop the memory card out of the camera, put it in our computer, and download the photos. But many professional studio photographers tether their cameras to their computers, and it can do a lot to improve both your workflow and the quality of your images. This excellent video tutorial discusses 10 reasons why tethering is worth trying in your own work.
