Great portraiture can be created with anything from natural light to a studio full of the most expensive equipment, but if you — like most photographers — are closer to the natural light setup than a high-end studio, perhaps this video might show you just what you can produce with one, cheap light.
Photographers who do not need an f/2.8 aperture or who want a light, portable lens they can drop in their bag and forget will certainly appreciate the Tamron 70-210mm f/4 Di VC USD, and today only, you can get it for more than half off, bringing the final price to just $379.
When you are ready to move into working in your own studio, you will, of course, have to bring in your own lighting. Lighting can run a huge gamut of price and features, however, and it can be tricky to know what you need to get started. If you are looking for some decent lighting to get you up and running and that will not break the bank, check out this helpful video that will show you some good beginner lighting kits for studio work.
When you are working in the studio, it is not a big deal to create complex, multi-light setups, since all your gear is there and doing so only requires moving it a minimal distance. On the other hand, when it comes to working on location, unless you have an entire crew with you, efficiency is the name of the game. This helpful video tutorial will show you a quick, simple, and effective lighting setup for on-location portraits.
The whole point of a studio is being free of the outdoors and having complete control over the shooting environment, so it would seem a bit strange to drag a multi-light setup and backdrop system into the middle of a field, but that is just what this photographer did, and the results are quite intriguing. This great video tutorial will take you behind the scenes and show you how it was done.
As you can see, recently, I have been doing an evaluation of all the gear I have in the studio. This time, I looked at a dozen or so light modifiers that I own and selected my top five favorites. Rather surprisingly, they are far from what “conventional” light-shaping tools are.
