Being a Nikon DSLR landscape photographer who is anticipating the foreseeable demise of said cameras, I have been curious about the Nikon Z 7II. I wanted to see how one of these lighter, smaller mirrorless cameras functioned not only for landscapes but as a travel setup. Here are my initial thoughts.
I raise you my swirly bokeh to your circular bokeh because I intuitively know that it looks nicer. However, is my swirly Nikkor AF-S 50mm f/1.4G on the Fuji X-T4 more blurry than your circular Nikon Series E 50mm f/1.8 on the Nikon D850? Read on.
Street photography is one of those wonderful genres that encourages us to break convention and what we know to be “right” in the big bad, world of the still image. It’s one of the few genres, I feel at least, that can encompass all manner of emotions, from humor and lightheartedness to tone, shape, ambiguity, surrealism, and hard-hitting realism at any time.
Fujifilm’s latest release in their X mount range is the Fujinon XF 30mm f/2.8 LM WR Lens, a compact and lightweight lens that is perfect for a wide range of photography, including macro, portraits, and street. With a fast maximum aperture of f/2.8, it also allows for great low-light performance. Yes, there are wider apertures from the Fujifilm range, but none I expect can shoot as close to the subject and still provide highly detailed images as this one can.
