Photography studios come in many shapes and sizes, from family portrait studios on the high street to elaborate YouTuber sets. In this article, I walk you around my studio and explain why I have the layout and kit that I do for my work.
One of the neat things about street photography is that there are so many different approaches to what gear one can use. Some prefer a simple, quiet rangefinder with a neutral focal length prime, while others will use a DSLR or mirrorless camera with a superzoom for the flexibility and more advanced features. What is the right option for you? This great video features a few street photographers discussing their thoughts on the topic.
Headshot photography has been making major headlines recently. A few weeks ago, the Wall Street Journal interviewed headshot guru Peter Hurley about the importance of a professional headshot in a quickly changing business landscape (The Perfect Professional Headshot Is Worth $1,000, and Maybe Even a Job).
The act of capturing important moments or creating art is a fulfilling one, scattered with variety and fascinating niches. However, on occasion, people dream up a scenario where they require a photographer to do something… unusual. Here are some of the strangest occurrences of my career.
A key component for many street photographers is context in a scene. To many, an image without space in the frame for the setting may be considered as a portrait and not belonging to any particular genre or style. Street photographers are so focused on context they gravitate towards rangefinders that let you see outside the frame. This commonly held approach to street photography lends itself to the ubiquitous use of wide angle lenses.