How to Get Dramatic Clouds in Overcast Lighting Conditions

When photographers hear overcast skies, we immediately think of flat light. What this usually means is an overall lack of detail and contrast, especially in the sky. It might be easy to assume that the sky during overcast days is uninteresting, but I want to show you the opposite, that overcast days are some of the best times to get deep and dramatic images. In this video and article, I’ll be walking through how to shoot and edit dramatic clouds during overcast conditions in Adobe Lightroom Mobile.

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Which Fujifilm Medium Format Camera Is Right for You?

Fujifilm has made medium format remarkably affordable compared to the past, bringing it within the realm of full frame prices and making it a viable alternative for many photographers. If you are interested in getting into the system, both the GFX 50S and GFX 50S II are fantastic options at different price levels, and this great video will help you choose which is right for you.

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A Review of the Sony FE 35mm f/1.4 GM Lens

Few focal lengths are more versatile than 35mm, being wide enough to tackle things like events coverage, landscapes, and astrophotography, but not so wide that things like portraits are not reasonable. Sony shooters have a premium option in the FE 35mm f/1.4 GM lens, and this awesome video review takes a look at the sort of performance and image quality you can expect from it in practice.

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What Is the Best Street Photography Setup?

One of the neat things about street photography is that there are so many different approaches to what gear one can use. Some prefer a simple, quiet rangefinder with a neutral focal length prime, while others will use a DSLR or mirrorless camera with a superzoom for the flexibility and more advanced features. What is the right option for you? This great video features a few street photographers discussing their thoughts on the topic.

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A Review of the Canon RF 14-35mm f/4L IS USM Lens

Professional wide angle zoom lenses tend to have apertures of f/2.8, but for photographers who do not need that extra light-gathering power, choosing an f/4 zoom can mean significant savings in both weight and cost (and sometimes other gains). For Canon shooters, there is the RF 14-35mm f/4L IS USM, and this great video review takes a look at the kind of performance and image quality you can expect from it in practice.

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