Fujifilm’s new GFX 50S II is the company’s most affordable medium format camera, but does the performance make it a worthwhile purchase when there are full frame cameras available with similar resolutions? This review seeks to find out.
Fujifilm’s new GFX 50S II is the company’s most affordable medium format camera, but does the performance make it a worthwhile purchase when there are full frame cameras available with similar resolutions? This review seeks to find out.
I’m currently just casually reading about Deleuzian philosophy. Gilles Deleuze, a French philosopher, and Félix Guattari wrote about truth as coming from multiple sources.
While most photographers use a drone to create aerial images, sometimes, that isn’t enough. Sometimes, you want to soar like an eagle, going 50 mph over the sheer face of a mountaintop as you photograph. If that sounds like you, then let me share with you the story of Bernard Chen, paraglider and photographer extraordinaire.
Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.
Canon’s RF lenses have been mostly both spectacular and expensive, which is what makes the RF 16mm f/2.8 STM rather unique, as it comes in at an impressively affordable price and is quite portable on top of that. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.
Have you ever considered using a phone for a professional project? I hadn’t but I was pleasantly surprised by what the vivo X70 Pro+ phone was capable of. Sure, it has all the technical specs with an imaging system co-engineered with ZEISS and their color correction technology built-in, but what was it like to shoot with?