Now and again, we all get the desire to buy new kit; it’s only to be expected with the way new tech is marketed, combined with our desire to improve our craft. Do you need that new piece of equipment? Is it time to jump from a cropped sensor to a full frame? Should you move from DSLR to mirrorless? Will it improve your photography?
A wide-aperture 50mm lens is one of the most versatile optics a photographer can own, suitable for everything from portraiture to low-light events work. For Sony shooters, the FE 50mm f/1.2 GM offers an extremely wide maximum aperture and features geared toward professional use, and this awesome video review takes a look at the sort of image quality and performance you can expect from it in practice.
The Canon EF 100mm f/2.8L Macro IS USM was one of the most respected lenses in its DSLR line, offering top image quality, impressive image stabilization, and no-fuss autofocus, all at a very reasonable price that made it a top pick for wedding, macro, and portrait photographers. The new RF version promises a range of improvements and new features, and this excellent video review takes a look at if they are worth the price.
It used to be that full frame was the largest sensor size most photographers could reasonably afford, with medium format reserved for rental houses and a few rare creatives. However, in recent years, we have seen an explosion of relatively affordable medium format options that open an entirely new system to many photographers. Before you take the plunge, check out this great video that answers some common questions about medium format and illustrates some problems you might encounter.
Canon’s latest full frame mirrorless camera, the EOS R3, was launched only a few months ago, and we’ve had to wait patiently to find out how its autofocus system compares with that of one of its biggest rivals, the Sony a1. This video puts the pair head to head in a real-world situation.
The Sony a7 IV has finally been released, and it is setting the bar for what we can expect from a mirrorless camera. The question is whether it is so much better than what else is out there that it’s worth getting.
HEX has been on a tear lately, releasing plenty of functional bags with some meaningful limited editions. The HEX Back Loader DSLR Backpack V2 continues the trend with a useful and stylish package that’s just about perfect for shooters with DSLR or mirrorless cameras.
