Among the lot of new releases from Fuji over the last week is the XF 33mm f/1.4 prime lens, effectively a successor to the much-loved XF 35mm f/1.4 R. What improvements does this new lens offer?
Among the lot of new releases from Fuji over the last week is the XF 33mm f/1.4 prime lens, effectively a successor to the much-loved XF 35mm f/1.4 R. What improvements does this new lens offer?
Tamron’s holy trinity of f/2.8 zoom lenses has been a runaway hit for the company, offering smart compromises that bring professional-level quality and performance at prices that significantly undercut those of first-party options. The 70-180mm f/2.8 Di III VXD is the longest of the trio, offering a versatile focal length range and wide maximum aperture suitable for a wide range of scenarios. This great video review discusses how it holds up after a year of usage.
If you work in a studio, it is not a big deal to have a lot of heavy gear, but if you are someone like a landscape photographer who is often hiking miles and miles with a bag of gear, every little ounce makes a big difference. This great video shows how one photographer majorly trimmed his bag while still carrying everything he needs to create.
Milan-based gallery 29 ARTS IN PROGRESS is exhibiting photographs by Mario Testino. This exhibition will first show his iconic images and later, never-seen-before personal work of Testino. I spoke to Luca Casulli, the co-founder of 29 ARTS IN PROGRESS gallery, to find out what makes Unfiltered so special to the public, collectors, and even the gallery.
Tamron has reinvented itself in recent years, making smart compromises to create lenses that are highly practical but that do not break the bank. The 28-75mm f/2.8 Di III was a runaway hit for the company, offering impressive image quality and performance at a price that significantly undercut comparable options. The second generation of the lens is here, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
A long time ago, I heard someone utter this bit of nonsense. Depending upon the genre of photography you shoot, there are good arguments for using manual controls and settings. However, there are times when your camera’s automated technologies prove the Luddites wrong, then automation is king.
If you think that printing is a thing of the past, think again. More and more photographers are adding printing to their service list. This is particularly popular with event and wedding photographers, but wireless printing is actually for everyone, as every photographer should print their work – or at least the work that’s worth printing.