Tamron has reinvented itself in recent years, making smart compromises to create lenses that are highly practical but that do not break the bank. The 28-75mm f/2.8 Di III was a runaway hit for the company, offering impressive image quality and performance at a price that significantly undercut comparable options. The second generation of the lens is here, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
A long time ago, I heard someone utter this bit of nonsense. Depending upon the genre of photography you shoot, there are good arguments for using manual controls and settings. However, there are times when your camera’s automated technologies prove the Luddites wrong, then automation is king.
If you think that printing is a thing of the past, think again. More and more photographers are adding printing to their service list. This is particularly popular with event and wedding photographers, but wireless printing is actually for everyone, as every photographer should print their work – or at least the work that’s worth printing.
Nikon’s Z 50 mirrorless camera has gained a fair bit of popularity by offering an affordable APS-C entry into the world of mirrorless cameras in a compact but capable body. The NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens offers a huge range of focal lengths in a small body, making it a natural companion to the Z 50 for a wide gamut of uses. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
Canon’s mirrorless camera has filled out nicely in the last few years, with powerful models like the EOS R5 and EOS R3 offering professional-level performance and options like the EOS RP and EOS R6 offering more affordable pricing with reasonably balanced feature sets. Missing in all of that is an advanced APS-C mirrorless camera, but thankfully, that will likely change later this year.
Do you have a lens in your collection that brings you joy every time you use it? One that begs to be used because of how beautifully it renders the world around you, and you can’t help but wonder how a specific subject might look when photographed with it? I recently found that lens for myself with the Zeiss Milvus 50mm f/1.4, and to be honest, it has been an unexpected love affair.
Zoner Photo Studio X is a holistic solution to post-processing and file management for photographers, and yet it flies under the radar. Despite the fact its price is a fraction of Adobe’s full suite, major updates to improve it are rolled out regularly, and this latest one adds a number of features.
Although I’ve watched videos and read reviews about Topaz products, I had never actually tried them, remaining faithful to my workflow and not venturing farther afield. I do like software and seeing what it can do with my images, but felt safe with what I currently use. So, what could Topaz Photo AI bring to the table that I couldn’t already accomplish?
Canon has been quite aggressive in the development of RF mount lenses, releasing some extreme designs, such as the RF 28-70mm f/2 L USM and the RF 85mm f/1.2 L USM. They seem to have no intentions of slowing down, as another boundary-pushing design has emerged in a recent patent.
