Nikkei recent published a synopsis of Techno System Research’s Market Share Survey for 2020, a detailed paywalled survey of camera shipment data from major manufacturers. The headline is a 5.0% drop for Nikon, decreasing its total market share. This isn’t great news for Nikon, but is it all it seems?
It has been over three years since any update to DJI’s Phantom series, and given how quickly the line used to see updates and how the Mavic models have progressed, it would not be unreasonable to assume the Phantom series has been put out to pasture. That might not be the case, however, as DJI’s latest event invite seems to point at a new model.
Fujifilm has confirmed on several occasions that it has no intention of producing a full frame camera. What Fujifilm has done instead is produce some of the best APS-C and medium format cameras. The most remarkable thing Fujifilm accomplished was to bring down the overall price of medium format cameras. The GFX 50 series of cameras are the most notable.
Buying a macro lens is useful for a lot of photographers in a number of different genres, however, it’s a difficult purchase to justify if you do not do much macro photography specifically. If it had some other purposes it would be a more palatable purchase, and if you take any portraits, it does have.
It looked like 2021 was going to be somewhat of a dry year for virtual reality content creators, and then out of nowhere, Canon drops the RF 5.2mm f/2.8 L Dual Fisheye lens aimed squarely at creators of 180 VR content. It’s now possible to more easily shoot this kind of content in 8K, but beyond that, what other new features does it bring to the table? Expert VR content creator Hugh Hou explains.
Supertelephoto zoom lenses have made remarkable strides in recent years, and the kind of image quality that used to be exclusive to the most expensive professional prime models is now available at much more affordable prices and with the added versatility of variable focal lengths. One such example is the Canon RF 100-500mm f/4.5-7.1L IS USM, and this great video shows just how well it performs, even in low light and with teleconverters.
Few photographic events put more pressure and stress on the photographer than their first wedding, but we all have to start sometime. If you just booked your first wedding and you want to make sure the big day goes as well as possible (and with as little stress for you as possible), check out this excellent video tutorial that will guide you through what you need to know.
Just about every important image I publish or send to a client passes through Photoshop. It’s an essential part of my workflow, and if you’re like most photographers, I’m sure it’s a part of yours. There are, however, a number of cases where I’ve just found a significantly better tool for the job, one that’s worth paying for. Want to see why you should consider snagging these programs that beat Photoshop at their own game?
