What happens when you combine a high-end video-centric mirrorless camera, a gimbal, and a remote-controlled offroad car? Potentially a spectacular and singular angle, but will it work?
Smartphones have reached a point where they are legitimate creative tools, and as such, one of the most useful accessories creatives can purchase is a smartphone gimbal. DJI is one of the leaders in this space, and their new OM 5 gimbal brings their latest features and tech to the table. How does it perform? This great video review takes a look.
Sigma fans have multiple options at the 24mm focal length, both offering the traditional Sigma blend of image quality and prices that undercut first-party options. The 24mm f/2 DG DN Contemporary and the 24mm f/3.5 DG DN Contemporary offer different user experiences depending on your priorities, and this excellent video comparison will help you choose which is right for you.
Normally in portraiture, you get a high level of control over the lighting, but in some scenarios (weddings, for example), you will have to think, light, and shoot on your feet. This excellent video tutorial will show you several ways to shoot nighttime portraits with a variety of different techniques and for a range of different creative looks.
Last month, Canon announced a tiny, lightweight ultra-wide angle prime lens for its full frame mirrorless cameras: the RF 16mm f/2.8 STM. Given how affordable it is, can it offer decent performance?
It is no secret that both Lightroom and Photoshop can be resources hogs that do not run particularly quickly, though in fairness, they are also pushing around and manipulating a lot of data. Between your CPU, GPU, RAM, drives, and more, there are a lot of places where an upgrade could possibly speed things up, but of course, you do not want to waste your money. So, what components should you upgrade first? This helpful video will show you some useful tests to help you figure it out.
I raise you my swirly bokeh to your circular bokeh because I intuitively know that it looks nicer. However, is my swirly Nikkor AF-S 50mm f/1.4G on the Fuji X-T4 more blurry than your circular Nikon Series E 50mm f/1.8 on the Nikon D850? Read on.