Sony has just unveiled the hotly-anticipated a7 IV, the successor to the hugely popular a7 III, bringing some significant upgrades.
Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.
Canon’s RF lenses have been mostly both spectacular and expensive, which is what makes the RF 16mm f/2.8 STM rather unique, as it comes in at an impressively affordable price and is quite portable on top of that. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.
Have you ever considered using a phone for a professional project? I hadn’t but I was pleasantly surprised by what the vivo X70 Pro+ phone was capable of. Sure, it has all the technical specs with an imaging system co-engineered with ZEISS and their color correction technology built-in, but what was it like to shoot with?
When I upgraded to a Canon EOS R5 last year, I knew it was going to be an excellent camera and quite a step up from my DSLR, but I was completely unprepared for just how monumental a leap forward it would be. As companies continue to push the technological boundaries and announce new mirrorless options, here are five reasons why the R5 is still king in 2022.
The Venus Optics Laowa 24mm f/14 Probe lens captured the photography world’s attention by being one of the most unique lenses we have ever seen and allowing photographers and filmmakers to get shots that simply would not be possible otherwise. The new Laowa 24mm T14 2x PeriProbe ups the ante over the original, and this neat video takes a look at what you can do with it.
The Canon EOS R3 has been quite well received, and though it has some top-level professional capabilities that help it compete with cameras like the Sony a1 and Nikon Z9, it is not meant to be Canon’s flagship mirrorless camera. That title will belong to the EOS R1, whenever it gets here, but when will that be?
Canon has just released the new Canon EOS R6 Mark II, and it looks like a rather impressive camera. Check out these first impressions to see if this new, upgraded model is a genuine step-up and worth your money.