With a slew of new, high-spec cameras in the last few years, some have enjoyed the limelight more than others. In this video, one photographer and videographer goes through his reasons why one cinema camera is underrated.
The Nikon Z 9 is finally here, and it takes square aim at Canon’s and Sony’s top cameras, giving Nikon shooters a powerful body suitable for a wide range of professional applications. This great hands-on video takes a look at the new camera and the sort of performance and image quality you can expect from it in practice.
The Sony a7S series of cameras is strange. They’re described as stills cameras; however, most customers seem to use them for their video features. At best, they’re an odd compromise that doesn’t fit anywhere properly. For this reason, I’d like to discuss why Sony should get rid of this line completely or at the least, revamp the series.
Camera manufacturers have really found another gear the last few years, obliterating the old maxim that you could have things like resolution or shooting speed, but not both, by releasing cameras that can tackle literally any situation you can throw at them. So, who holds the current crown? This excellent video compares the Canon EOS R3, Nikon Z 9, and Sony a1 mirrorless cameras to find out.
Once you get wider than 20mm, you generally do not encounter apertures wider than f/2.0, save for a few rare circumstances. One such option is the Sony FE 14mm f/1.8 GM, which positions itself as a fantastic creative tool for a wide variety of uses, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.