Canon, Sony, and Niko: the three major manufacturers within the photography industry. For a long time, Canon and Nikon held a duopoly, until Sony started producing full-frame mirrorless cameras. We now have a triopoly with Canon, Nikon, and Sony going to head to head with their flagship cameras.
The Nikon Z 9 has put Nikon back into competition with Sony and Canon in the upper echelon of the full frame mirrorless market, offering a no-compromises design at a competitive price. When combined with the NIKKOR Z 100-400mm f/4.5-5.6 VR S lens, it offers a highly capable option for anyone needing top-of-the-line performance for things like sports or bird photography, and this excellent video review takes a look at the performance and image quality you can except from them.
An 85mm lens with a wide maximum aperture is the tool of choice for countless portrait and wedding photographers, offering a classic, flattering focal length in tandem with shallow depth of field and plenty of low-light capabilities. Such lenses run a wide gamut of prices, however. This excellent video comparison takes a look at three options with a $1,000 price difference between them, the Samyang AF 85mm f/1.4 FE II, Sony FE 85mm f/1.4 GM, and Sigma 85mm f/1.4 DG DN Art.
For those who don’t know, Sony hosts a yearly event called Kando. Kando is a Japanese word that roughly translates to “the sense of awe and the emotion you feel when experiencing something beautiful and amazing for the first time.” So, does this experience live up to its name?
2022 has been quite the year for the industry, with a variety of impressive cameras and lenses making their way to the market. 2023 looks like it will be another exciting year, with a lot to come from all the big players in the industry. This great video essay discusses what we can expect from the likes of Canon, Nikon, Sony, and more.
Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too. So, how do they perform, and which comes out on top?
The Sony a1 mirrorless camera is here, and it takes a no-compromise approach to its design that is meant to handle whatever photo or video work you can throw at it. This great video review takes a look at the camera for both photo and video applications and discusses the sort of performance you can expect from it in practice.
Adobe isn’t the first software manufacturer to bring us AI-powered upscaling, but being able to increase the resolution of raw files suddenly makes the Sony a7S III arguably the best-value hybrid camera on the market, giving you a massive 48 megapixels. Is it too good to be true?
A few months ago, Sigma released four rather distinctive, compact lenses for Sony and L-mount cameras. The most curious of these is the 65mm f/2 DG DN, offering a touch of speed, excellent sharpness, and a slightly odd focal length. How does it perform?
