Sony’s a7R series has long been respected for offering extremely high levels of resolution (the highest available in a full frame camera, in fact), along with a range of advanced features that make it the workhorse of choice for a wide range of applications. Now in its fifth generation, the a7R is quite refined and can satisfy the needs of many users. This great video review takes a look at the camera and the sort of performance and image quality you can expect from it in practice.
Sony has just announced its fastest lens to date: the 50mm f/1.2 GM. How good is this super-fast glass, and is it worth the money? Gerald Undone puts it to the test.
Sony recently announced their new beast of a fifty: the 50mm f/1.2 GM, which is getting some glowing reviews. How does it compare to the Zeiss 50mm f/1.4 and is it worth splashing out if you already own the older, slower lens?
While many lighting brands today are trying to simplify their products, the Fusion TLC Raven arrives as the most feature-rich wireless trigger ever made.
Sony mirrorless cameras have now become some of the most popular options on the market. The extensive features and fantastic autofocus have caused many photographers to switch over to Sony. In this article, we will be looking at the best budget options from Sony for photographers at every level.
The Sony a1 and Canon EOS R5 are two of the most powerful cameras out there, both offering impressive 8K video capabilities among other features. How do they compare on the video front? This excellent video review discusses the video capabilities of both after six months of usage.
There are a few key specs that camera manufacturers and users gravitate toward and that capture headlines when new products are released. However, some of these specs can be misleading, and it is important that you understand what you are really purchasing before you pull out your credit card. Here are four specs to research a bit further before you buy that shiny new camera.
Now and again, we all get the desire to buy new kit; it’s only to be expected with the way new tech is marketed, combined with our desire to improve our craft. Do you need that new piece of equipment? Is it time to jump from a cropped sensor to a full frame? Should you move from DSLR to mirrorless? Will it improve your photography?
