Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too. So, how do they perform, and which comes out on top?
Sony
A Comprehensive Review of the Sony a1 Mirrorless Camera

The Sony a1 mirrorless camera is here, and it takes a no-compromise approach to its design that is meant to handle whatever photo or video work you can throw at it. This great video review takes a look at the camera for both photo and video applications and discusses the sort of performance you can expect from it in practice.
Did the Sony a7S III Just Become the Best Hybrid Camera on the Market Thanks to Adobe Super Resolution?

Adobe isn’t the first software manufacturer to bring us AI-powered upscaling, but being able to increase the resolution of raw files suddenly makes the Sony a7S III arguably the best-value hybrid camera on the market, giving you a massive 48 megapixels. Is it too good to be true?
A Faux-Vintage Masterpiece? We Review the Sigma 65mm f/2 DG DN

A few months ago, Sigma released four rather distinctive, compact lenses for Sony and L-mount cameras. The most curious of these is the 65mm f/2 DG DN, offering a touch of speed, excellent sharpness, and a slightly odd focal length. How does it perform?
5 Reasons Why You Should Use the Osee 17″ Field Monitor

In this article, you will discover five very compelling reasons why you should be using something like the Osee 17-inch field monitor when you are creating your videos. Because if improving the quality of your work is important to you, then you will want to check out the helpful tips in this article.
How Does the Sony FE 200-600mm f/5.6-6.3 G OSS Compare to the Canon RF 100-500mm f/4.5-7.1L IS USM?

Both Sony and Canon make some highly respected supertelephoto zoom lenses that offer versatile focal length ranges and impressive image quality, making them ideal for tackling a wide range of scenarios across multiple genres. This excellent video comparison pits the Sony FE 200-600mm f/5.6-6.3 G OSS against the Canon RF 100-500mm f/4.5-7.1L IS USM, taking a deep look at what you can expect from both lenses.
Nikkei Market Share: Bad News for Nikon… Or Is It?

Nikkei recent published a synopsis of Techno System Research’s Market Share Survey for 2020, a detailed paywalled survey of camera shipment data from major manufacturers. The headline is a 5.0% drop for Nikon, decreasing its total market share. This isn’t great news for Nikon, but is it all it seems?
Rocket Launch Photography Challenges

Two successful SpaceX missions last week, one on each coast, prompted me to review my rocket launch photo procedures, particularly since the Monday (Sept. 13) launch from Vandenberg Space Force Base was the first after a long hiatus. For those of us in southern California, it was a photo op we were eagerly awaiting since it was scheduled for after sunset.