Few cameras have been more hotly anticipated in the last decade than the Sony a7 IV, particularly after the a7 III became one of the most popular cameras in several years for its impressive combination of versatility, quality, and affordability. So, how has the a7 IV held up in the long run? This excellent video review discusses one photographer’s experience after a year of using it.
When they came to the scene with the a7 series, Sony set the camera industry on fire by bringing a range of innovative designs and features and an aggressive upgrade cycle that kept the likes of Canon and Nikon on their toes. After almost a decade on the market with their full frame cameras, the company’s gear is now in the hands of countless photographers. So, how do they compare to other major brands after all this time? This great video features an experienced photographer discussing his thoughts after eight years.
Sony just announced an all-new full-frame lens, the FE 20-70mm F4 G, which combines an ultra-wide focal length with a standard zoom.
For hybrid shooters looking to stay compact and within a certain budget, choosing between the Fujifilm X-T4 and the notably older Sony a7 III can be a challenge. This short video puts the two head to head. Which one would be your choice?
A supertelephoto zoom lens is tremendously useful in a wide variety of genres, and in recent years, we have seen an influx of affordable, high-quality third-party options from companies like Sigma and Tamron. Tamron’s latest is the 150-500mm f/5-6.7 Di III VXD, and this excellent video review takes a look at the lens and how it compares to a native Sony option, the FE 200-600mm f/5.6-6.3 G OSS.
Supertelephoto zoom lenses are useful for a wide range of genres, including everything from sports and wildlife to landscapes. There are a lot of options out there, and this excellent video review takes a look at four of them, the Sigma 150-600mm f/5-6.3 DG DN OS Sport, Sony 200-600mm f/5.6-6.3 G OSS, Sony 100-400mm f/4.5-5.6 GM OSS, and Tamron 150-500mm f/5-6.7 Di III VC VXD.
