According to Taylor Jackson, we’re all Sony shooters, whether we like it or not. With the majority of today’s cameras carrying Sony’s imaging sensors, are we all becoming Sony shooters without even knowing it?
Sony
Make Your Sony Feel Like a Leica: Fstoppers Reviews the Sigma 35mm f/2 DG DN
Sony shooters are now blessed with an array of fairly fast 35mm prime lenses, a glaring void in its lineup not too long ago. The latest addition is the Sigma 35mm f/2, a faux-vintage lens that brings a lot of tactile refinement to a compact and classic form.
A Review of the Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
100-400mm f/4.5-5.6 lenses are highly popular among photographers, as they offer the reach of supertelephoto focal lengths and the versatility of a zoom, all in a package that is significantly more affordable than professional supertelephoto prime lenses. This excellent video review takes a look at Sony’s option, the FE 100-400mm f/4.5-5.6 GM OSS lens.
A Year With the Canon EOS R5: Is It One of the Best Cameras for Video?
The Sony a1 and Canon EOS R5 hold the distinction of being the only two consumer cameras currently on the market that offer 8K raw video. And while the video specs of the EOS R5 certainly are mightily impressive, you might wonder how it performs in the real world, particularly with issues like overheating. This excellent video review discusses the camera’s video performance over the course of a year, including 8K, 4K 120p, overheating, and more.
A Review of the Sony FE 50mm f/1.2 GM Lens
A wide-aperture 50mm lens is one of the most versatile optics a photographer can own, suitable for everything from portraiture to low-light events work. For Sony shooters, the FE 50mm f/1.2 GM offers an extremely wide maximum aperture and features geared toward professional use, and this awesome video review takes a look at the sort of image quality and performance you can expect from it in practice.
