A supertelephoto zoom lens is tremendously useful in a wide variety of genres, and in recent years, we have seen an influx of affordable, high-quality third-party options from companies like Sigma and Tamron. Tamron’s latest is the 150-500mm f/5-6.7 Di III VXD, and this excellent video review takes a look at the lens and how it compares to a native Sony option, the FE 200-600mm f/5.6-6.3 G OSS.
Supertelephoto zoom lenses are useful for a wide range of genres, including everything from sports and wildlife to landscapes. There are a lot of options out there, and this excellent video review takes a look at four of them, the Sigma 150-600mm f/5-6.3 DG DN OS Sport, Sony 200-600mm f/5.6-6.3 G OSS, Sony 100-400mm f/4.5-5.6 GM OSS, and Tamron 150-500mm f/5-6.7 Di III VC VXD.
Few focal lengths are more versatile than 35mm, being wide enough to tackle things like events coverage, landscapes, and astrophotography, but not so wide that things like portraits are not reasonable. Sony shooters have a premium option in the FE 35mm f/1.4 GM lens, and this awesome video review takes a look at the sort of performance and image quality you can expect from it in practice.
50mm lenses are a peculiar bunch, as you can spend anywhere from under $100 to well over $2,000 depending on the sort of parameters, performance, and image quality you are looking for. Canon, Nikon, and Sony all make 50mm f/1.2 lenses as their premium options, and this excellent video comparison takes a look at all three to see which comes out on top.
Camera manufacturers have really found another gear the last few years, obliterating the old maxim that you could have things like resolution or shooting speed, but not both, by releasing cameras that can tackle literally any situation you can throw at them. So, who holds the current crown? This excellent video compares the Canon EOS R3, Nikon Z 9, and Sony a1 mirrorless cameras to find out.
Once you get wider than 20mm, you generally do not encounter apertures wider than f/2.0, save for a few rare circumstances. One such option is the Sony FE 14mm f/1.8 GM, which positions itself as a fantastic creative tool for a wide variety of uses, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
The Sony FE PZ 16-35mm f/4 G lens is a portable and remarkably versatile wide angle zoom lens that is also relatively affordable for a professional-level option. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Portrait photographers generally prefer focal lengths over 50mm. This is because these types of focal lengths help to produce a more flattering look. Personally, I find a 50mm lens to be slightly too wide and an 85mm lens just a tad too long. For this reason, I thought I’d compare two lenses that sit in-between these focal lengths.
