If you’re looking to get into macro photography, the first party lens options can seem too expensive for a lens with a more niche use, particularly on the latest Z and R mounts. Laowa, however, has a very promising 100mm lens that even exceeds those other 100mm options in one notable way. hould it be the lens you choose when shooting up close?
Cameras are always improving, but it seems like the rate of progress has kicked into another gear in the last few years, with Canon, Sony, Fuji, and Nikon all blazing ahead with remarkably advanced bodies. One photographer recently decided to switch to Sony for his work, and this great video takes a balanced look at his thoughts after three months with the system.
All of the major camera companies have released some incredible cameras in the last few years, but many of us do not need top-shelf features and would rather opt to save thousands of dollars by buying a more generalist option. Such cameras have come quite a way and can handle most demands, and this great video review takes a look at two of the best options, the Canon EOS R6 and the Sony a7 IV.
Sony produced what could be described as a game-changer of a camera with its current flagship, the Sony a1. Although this camera offers a plethora of new features that most reviews have raved about. One of its most remarkable features has gone a little under the radar. This feature is the increase in the flash sync speed to 1/400th of a second shutter speed.
Sigma’s Contemporary line intends to bring you a quality lens in a light and compact package. This isn’t Sigma’s flagship line, but does this lens have what it takes to go up against the others? It’s light, small, fast, sturdy and cheap. Does this Sigma lens check all the boxes on our list?
There’s been a long-held belief that higher-megapixel cameras produce more noise in low-light situations. Here, different models of Fuji, Canon, and Sony cameras are compared side-by-side to prove that high-megapixel cameras do not produce more noise than lower-megapixel models when lighting conditions are poor.
It used to be that wedding photographers had to carry expensive top-level optics in order to ensure they could reliably deliver professional shots. However, in recent years, third-party and mid-tier lenses have made remarkable steps forward, and it is now possible to save both your back and your bank account by purchasing more modest options and still be able to deliver excellent images. This excellent video discusses some of the best options out there for Sony users.
