For those who don’t know, Sony hosts a yearly event called Kando. Kando is a Japanese word that roughly translates to “the sense of awe and the emotion you feel when experiencing something beautiful and amazing for the first time.” So, does this experience live up to its name?
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What Cameras and Lenses Will We See in 2023?
2022 has been quite the year for the industry, with a variety of impressive cameras and lenses making their way to the market. 2023 looks like it will be another exciting year, with a lot to come from all the big players in the industry. This great video essay discusses what we can expect from the likes of Canon, Nikon, Sony, and more.
The Sigma 60-600mm vs the Sony 200-600mm: Best Wildlife Zoom Lens Shootout
Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too. So, how do they perform, and which comes out on top?
A Comprehensive Review of the Sony a1 Mirrorless Camera
The Sony a1 mirrorless camera is here, and it takes a no-compromise approach to its design that is meant to handle whatever photo or video work you can throw at it. This great video review takes a look at the camera for both photo and video applications and discusses the sort of performance you can expect from it in practice.
Did the Sony a7S III Just Become the Best Hybrid Camera on the Market Thanks to Adobe Super Resolution?
Adobe isn’t the first software manufacturer to bring us AI-powered upscaling, but being able to increase the resolution of raw files suddenly makes the Sony a7S III arguably the best-value hybrid camera on the market, giving you a massive 48 megapixels. Is it too good to be true?
A Faux-Vintage Masterpiece? We Review the Sigma 65mm f/2 DG DN
A few months ago, Sigma released four rather distinctive, compact lenses for Sony and L-mount cameras. The most curious of these is the 65mm f/2 DG DN, offering a touch of speed, excellent sharpness, and a slightly odd focal length. How does it perform?
5 Reasons Why You Should Use the Osee 17″ Field Monitor
In this article, you will discover five very compelling reasons why you should be using something like the Osee 17-inch field monitor when you are creating your videos. Because if improving the quality of your work is important to you, then you will want to check out the helpful tips in this article.
How Does the Sony FE 200-600mm f/5.6-6.3 G OSS Compare to the Canon RF 100-500mm f/4.5-7.1L IS USM?
Both Sony and Canon make some highly respected supertelephoto zoom lenses that offer versatile focal length ranges and impressive image quality, making them ideal for tackling a wide range of scenarios across multiple genres. This excellent video comparison pits the Sony FE 200-600mm f/5.6-6.3 G OSS against the Canon RF 100-500mm f/4.5-7.1L IS USM, taking a deep look at what you can expect from both lenses.






























