A 24-70mm f/2.8 is the workhorse of choice for a huge number of photographers, suitable for a wide range of scenarios and needs. Sony recently released the second version of theirs, the FE 24-70mm f/2.8 GM II, and this excellent video review takes a look at the improvements and new features in the new lens and the sort of image quality and performance you can expect from it.
Canon and Sony have continued to produce incredible cameras and lenses for all kinds of photography. For portrait photography, wide aperture 85mm lenses are one of the popular options. The large and expensive 85mm f/1.4 lenses are great; however, over the last few years, f/1.8 primes are starting to become better options in some regards.
With all of our fussing over codecs and bitrates, and demanding 4K 120 fps at every latest camera release, it can be good practice to look back at where some of this technology started in order to get a bit of perspective. This beautifully edited video illustrates perfectly how the likes of Canon and Sony are most certainly standing on the shoulders of giants.
When Canon confirmed the EOS R3 recently, it highlighted specs that went toe to toe with Sony’s flagship a1: 30 fps continuous burst rate, eye-controlled autofocus, a vertically integrated grip, ultra-weather-resistant body, and a sensor with much faster readout times. As such, it might seem like the EOS R3 is meant to be Canon’s flagship, but that’s not the case, as something even better is coming.
With the release of the Sony a7S III, many people are asking the question: is 12 megapixels enough resolution? Can you shoot client work or make large prints if you only have a 12-megapixel sensor? These are important questions for the photographer or videographer seeking the perfect camera.
