It is easy to look at modern digital cameras and forget just how spoiled we really are. After all, the latest generation of cameras make it almost impossible to miss the shot. Even a decade ago, digital cameras were far less capable, and if you turn back the clock three decades, digital models had barely just come into existence. This fun retro review takes a look at one such camera, the Apple Quicktake 100.
When it comes to choice of camera, many landscape photographers desire two things above everything else: resolution and dynamic range. And as such, the Fujifilm GFX 100S looks like one of the most ideal candidates for the genre. How does it hold up in practice? This great video review features a respected landscape photographer sharing his thoughts.
I spent a few weeks testing the new Viltrox 75mm f/1.2 lens for Fujifilm, and in the accompanying article and video, I share my thoughts on one of the most exciting third party lenses on the market today.
Despite being a long-time Nikon shooter and a fan of their latest mirrorless offerings, it’s only fair to keep an eye on what the competition is doing. So, with the right level of begging, I was able to get my hands on the Canon EOS R5 and thought I would offer a few brief thoughts.
The great thing about the Fujifilm X Series is that almost all models get the same sensor, allowing you to get the best image quality, even if you decide to go with a budget model. The Fujifilm X-E4 pairs the company’s latest X-Trans sensor with a variety of new features and versatile capabilities, all packaged at an affordable price. This informative video review takes a look at the camera and the sort of performance you can expect from it in practice.
One of the best and most complete solutions to post-processing is somewhat of a well-kept secret. Zoner Photo Studio X is growing in popularity and it’s easy to see why.
Last week, Nikon unveiled the NIKKOR Z MC 105mm f/2.8 VR S Macro Lens. In an unusual move from the manufacturer, we have a hands-on video before the lens reaches the shelves.
I’ve used a ton of constant lights. What they almost always have in common is that they just aren’t powerful enough to keep up with the majority of shooting conditions. The StellaPro CLx10 solves that problem plus so much more.
