Both Sony and Canon make some highly respected supertelephoto zoom lenses that offer versatile focal length ranges and impressive image quality, making them ideal for tackling a wide range of scenarios across multiple genres. This excellent video comparison pits the Sony FE 200-600mm f/5.6-6.3 G OSS against the Canon RF 100-500mm f/4.5-7.1L IS USM, taking a deep look at what you can expect from both lenses.
If you’re looking into hiring a wedding photographer, you may not have much experience with the profession. Although you can pick photographers you like, there is more to the story than just that. So, how can you make sure you’re hiring the right photographer? Here are seven tips that can help ensure you aren’t disappointed.
Tamron’s holy trinity of f/2.8 zoom lenses has been a runaway hit for the company, offering smart compromises that bring professional-level quality and performance at prices that significantly undercut those of first-party options. The 70-180mm f/2.8 Di III VXD is the longest of the trio, offering a versatile focal length range and wide maximum aperture suitable for a wide range of scenarios. This great video review discusses how it holds up after a year of usage.
The Canon EF 100mm f/2.8L Macro IS USM was one of the most respected lenses in its DSLR line, offering top image quality, impressive image stabilization, and no-fuss autofocus, all at a very reasonable price that made it a top pick for wedding, macro, and portrait photographers. The new RF version promises a range of improvements and new features, and this excellent video review takes a look at if they are worth the price.
One of the most commercially successful lenses in recent years was the Tamron 28-75mm f/2.8 Di III RXD, which offered an impressive blend of performance, image quality, and portability all at a very affordable price, particularly when compared to other 24-70mm f/2.8 options. The second iteration of the lens is here, and it brings with it a range of improvements. This great video review takes a look at the lens and the kind of image quality and performance you can expect from it in the real world.
A wide-aperture 50mm lens is one of the most versatile a photographer can have in their bag, suitable for everything from low-light events coverage to portraits. Samyang, well known for producing sharp manual focus lenses, has branched into autofocus lenses in recent years, and this great video review takes a look at the new AF 50mm f/1.4 EF II lens and the kind of image quality and performance you can expect from it in practice.
The Sony a7 IV has finally been released, and it is setting the bar for what we can expect from a mirrorless camera. The question is whether it is so much better than what else is out there that it’s worth getting.
A wide angle lens with a wide maximum aperture is one of the most versatile optics a photographer or filmmaker can have in their bag. If you are a Fujifilm shooter and looking to add one to your collection, the XF 16mm f/1.4 R WR is an intriguing option, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
