Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon’s 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?
One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
Good camera bodies and lenses are rarely cheap, and you can easily exceed five figures outfitting an entire kit. That does not mean you can’t find equipment at the other end of the spectrum, though it is going to be more of a lottery. If you need a good laugh, here is what $30 gets you on eBay.
Sound is a critical aspect of content creation in today’s world. Whether it’s for a YouTube channel, Twitch streaming, interviews, or podcasting, your voice will reflect who you are, and where you are recording can also have a profound effect on the audio. Viewers are used to loose camera work videos, but if the audio is bad, then most of the time, viewers give up. So, we tested out the new DJI Mic to see if does indeed produces great sound quality.
Years ago, Sigma reinvented themselves with the Art series, which quickly grew into a full line of highly respected lenses, known in particular for their image quality and affordable prices. The company has continued to expand its offerings, which now include the Contemporary line, meant to “achieve a balance between convenience and performance.” The 20mm f/2 DG DN is the latest entry in that line, and this excellent video review takes a look at the performance and image quality you can expect from it.
The Sony a7 III was widely lauded as one of the most impressive and well-balanced hybrid cameras ever made, making its successor, the a7 IV, one of the most highly anticipated releases in recent memory. Now that the a7 IV is here, is it worth upgrading from the a7 III or can you stick with what you already have? This great video comparison will help you answer that question.
DJI’s Mavic 3 is an amazing drone, but DJI’s pricing for their filters isn’t so amazing. Fortunately, companies like PGYTECH have made a range of filters compatible with the Mavic 3’s unique mount and camera setup. Are they worth pairing with the high-performance camera the drone is equipped with? I put PGYTECH’s Mavic 3 filter series to the test in this review.
When it comes to Sony’s a7 series of camera, both the a7C and a7 IV are the most generalist options, offering the best balance of photo and video features at reasonable prices. So, if you are looking for an all-around option, which of the two is the best? This great video comparison takes a look at the two cameras to help you decide which is right for you.
Once you get wider than 20mm, you generally do not encounter apertures wider than f/2.0, save for a few rare circumstances. One such option is the Sony FE 14mm f/1.8 GM, which positions itself as a fantastic creative tool for a wide variety of uses, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
100-400mm zoom lenses are some of the most popular out there, offering a highly versatile focal length range suitable for just about everything from wildlife photography to sports and more. There are many versions of such lenses at a wide range of prices, with the Canon RF 100-400mm f/5.6-8 IS USM sitting at the budget end of things, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in real-world usage.
