Tamron has established itself as a manufacturer of both practical and competitively priced lenses as well as options that push the boundaries of lens design. The 70-300mm f/4.5-6.3 Di III RXD offers Nikon Z mirrorless users a versatile focal length range for an array of applications, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in usage.
I didn’t think DxO PureRAW 2 for Mac and Windows could be improved, but it has been, in a variety of both subtle and not-so-subtle ways that improve workflow. The latest, version 3, is out today, and the company says PureRAW 3 features DxO’s latest artificial intelligence technology, DeepPRIME XD, delivering industry-leading noise reduction and RAW image enhancement; greater control over which corrections are applied through DxO’s renowned Optics Modules; and user interface modifications that offer improved integration with every photographer’s workflow.
We shoot with the Canon EOS R6 Mark II mirrorless camera at a real wedding and a live concert and test the camera that changes the rules when it comes to shooting in low light and at high speed.
The Canon EOS R8 is a relatively affordable entry point into Canon’s full frame mirrorless system, making it an intriguing option for a wide variety of users, whether as a main or backup body. This great video review takes a look at the camera and the performance and image quality you can expect from it in practice.
Sony has just announced its fastest lens to date: the 50mm f/1.2 GM. How good is this super-fast glass, and is it worth the money? Gerald Undone puts it to the test.
The Canon EOS R5 and Sony a1 are the talk of the town right now, with their 8K video capabilities turning a lot of heads. If you are wondering which one is right for your own work, check out this great video review that takes a deep look at the video capabilities of both cameras.
If you’ve grown tired of waiting for Canon’s native EF/EF-S to RF lens mount adapter to become available, this cheap adapter might be the perfect stopgap alternative. It works on both Canon’s native lenses and third-party lenses. Read on to see all the lenses I tested successfully with it.
When the Canon EOS R5 was first announced, one of its marquee features was its 8K raw video, but videographers quickly ran into issues with the camera overheating when recording in both 8K and 4K, leading some to question just how useful the camera actually is for video work. How much is this truly an issue in real-world usage, though? This excellent video review features a cinematographer and director discussing how the camera performs in specific modes after months of usage.
