Samyang, long known for producing highly affordable but sharp manual focus lenses, has expanded into autofocus offerings in recent years while still keeping their lineup at prices well below first-party options. The new AF 135mm f/1.8 FE offers a popular portrait focal length with a pleasingly wide maximum aperture, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
The OM System OM-1 is here, and it brings with it some mightily impressive improvements and upgrades along with a range of new features that help to modernize the system and make it competitive with APS-C and full frame options again. This great video review takes a look at the new camera and the kind of performance and image quality you can expect from it in practice.
I upgraded my camera to the Canon EOS R5 last year and have since been shooting with my adapter ring and the EF lenses. If this sounds like jargon to you: let me catch you up to speed. Canon launched its first mirrorless camera in 2018, and the mount on the mirrorless cameras is different than the ones of the previous DSLRs. As a workaround, you can use an adapter ring to shoot with your older EF lenses on the new mirrorless cameras.
The early 2000s were a golden age for digital cameras. Companies like Olympus, Nikon, Sony, Canon, Ricoh, and others seemed to release an endless stream of unique, quirky, and often excellent cameras. I was lucky to work at a large camera store at the time, and almost every day, I remember unboxing some new gadget that was pushing the boundaries of design and resolution. The most fun days were when a new DSLR arrived.
Nikon’s first throwback retro camera, the Df, received a lot of mixed reviews upon its release, with most people noting that it placed a little too much emphasis on form and not quite enough on function. The Z fc mirrorless camera keeps the look but ups the ante, providing a nice set of balanced specs at very reasonable price. The excellent video review takes a look at the camera and the sort of image quality and performance you can expect from it in practice.
Camera phones have become remarkably advanced in the last few years, especially as we have seen some impressive advancements in computational photography that help to offset the drawbacks of their small sensors. Sony’s new Xperia 1 IV ups the ante even more by being the first phone with an optical zoom, and this great video review takes a look at the sort of performance and image quality you can expect from it.
A 35mm lens with a wide maximum aperture is highly versatile, useful for everything from portraits to landscapes, astrophotography, and more. Such lenses can easily run north of $2,000, which, at $799, is what makes Samyang’s 35mm f/1.4 AF II quite the attractive option. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Canon’s supertelephoto prime lenses are some of the most extreme lenses out there in terms of image quality, performance, and yes, price. If you are able and willing to shell out for one, though, you can generally expect a superlative experience. So, what exactly does that $13,000 get you? This neat video takes a casual look at the Canon RF 600mm f/4 L IS USM lens to answer that question.
Portrait retouching is a process that requires consistent, well-practiced technique and an efficient, well-organized workflow to produce professional results in a reasonable amount of time. In this review, we take a look at retoucher Pratik Naik’s Infinite Retouch Panel and how it can help you create better results in less time.
