The Fujifilm GFX 100 and the Hasselblad H6D 400c are both high-resolution monster cameras. Each camera can shoot 100-megapixel files, and if you use the pixel shift features, you can produce huge 400-megapixel images. This is more resolution than any camera on the market, and we decided to compare both camera systems.
A wide-aperture 24mm lens is one of the most useful primes you can carry in your bag, offering a wide but not too wide focal length that can work in a variety of scenarios. The Samyang AF 24mm f/1.8 FE offers great image quality at an affordable price, and this great video review takes a look at the performance and image quality you can expect from it.
Canon has been blazing full speed ahead with its RF lenses, with two of the new models being the RF 800mm f/11 IS STM and the RF 100-500mm f/4.5-7.1L IS USM. Both feature some of the company’s latest designs and features, but offer vastly different capabilities and price points. Which one is right for you? This excellent video comparison takes a look at the image quality and experience of using both.
The camera world is absolutely awash in supertelephoto zoom lenses right now, and there are plenty of options out there with varying capabilities and price points. This excellent video comparison takes a look at two of the best options, the Sigma 150-600mm f/5-6.3 DG DN OS Sports and the Sony FE 200-600mm f/5.6-6.3 G OSS.
A portfolio review is a great way to get feedback and direction for your photographic practice. It’s also a great way to connect with industry professionals. If you have been considering getting your work professionally reviewed, this article can shed some insights on what to expect and how to prepare.
The Canon EOS R5 received most of the fanfare when it was first announced alongside the EOS R6, but the latter is no slouch, and in some ways, it might be the more appropriate and balanced camera for a lot of photographers and filmmakers. This great video review takes a look at the camera and the kind of performance you can expect from it in the real world.
50mm lenses are some of the most popular out there, and they range from sub-$100 f/1.8 versions to well over $2,000 for professional-level f/1.2 versions. However, Meike makes a 50mm f/1.2 lens for all popular full frame mirrorless mounts that costs less that $400, making it a potentially appealing option for photographers and filmmakers who love bokeh but not the money it often costs. This excellent video review takes a look at the lens and the image quality and performance you can expect from it in practice.
