Nikon has made their way into more specialized mirrorless lenses in recent months, with the NIKKOR Z 800mm f/6.3 VR S being one such option. The 800mm f/6.3 might be one of the most competitively priced lenses in recent memory, and it offers top-shelf sharpness and portability on top of that. This great video review takes a look at the new lens and the sort of image quality and performance you can expect from it in usage.
The 70-200mm f/2.8 lens is the workhorse of choice for a huge range of professionals, suitable for portraits, weddings, events, and much more. For Fujifilm shooters, there is the XF 50-140mm f/2.8 R LM OIS WR. This great video review takes a look at the lens and the sort of performance and image quality you can except from it in practice.
85mm lenses with wide maximum apertures are some of the most prized options out there, where their short telephoto focal length and narrow depth of field capabilities make them ideal options for portrait photographers. However, such lenses can easily run north of $2,000, which is what makes the Meike 85mm f/1.8, which sits at less than $200, so refreshing. Can it provide the performance and image quality pros need at that price? This excellent video review takes a look.
Sony just announced an all-new full-frame lens, the FE 20-70mm F4 G, which combines an ultra-wide focal length with a standard zoom.
The 70-200mm f/2.8 lens is one of the classic workhorses in countless photographers bags, suitable for a huge range of genres and scenarios. As such, you can often expect top-shelf performance out of professional 70-200mm f/2.8 lenses. For Sony shooters, there is the FE 70-200mm f/2.8 GM OSS II, and this excellent video review takes a quick look at the image quality and performance you can expect from it in usage.
When I got the opportunity to test out this lens, I jumped at the chance. An ultra-wide angle zoom at f/2.8 would be great for so many different photographic applications: landscape, architectural, interior, astrophotography, events, creative, and video, to name a few. Did I get the opportunity to test it out with all of these? No, but what I did get to try certainly produced the results.
It used to be that wedding photographers had to carry expensive top-level optics in order to ensure they could reliably deliver professional shots. However, in recent years, third-party and mid-tier lenses have made remarkable steps forward, and it is now possible to save both your back and your bank account by purchasing more modest options and still be able to deliver excellent images. This excellent video discusses some of the best options out there for Sony users.
