Portrait photographers generally prefer focal lengths over 50mm. This is because these types of focal lengths help to produce a more flattering look. Personally, I find a 50mm lens to be slightly too wide and an 85mm lens just a tad too long. For this reason, I thought I’d compare two lenses that sit in-between these focal lengths.
Do you all remember the when Sigma released the “Bigma” in 2001? The Bigma, or Sigma 50-500mm f/4-6.3 EX DG HSM, dominated the amateur and semi-professional market. 22 years later, in a time of mirrorless cameras and high-end optics, the next Bigma is here. Welcome to the new Sigma 60-600mm for Sony E. Is it worth your money? Read on to find out.
There’s nothing like having a neat and efficient workstation, and for on-the-go digital creatives, this means having a laptop that you can bring everywhere is obviously a must. However, when in your personal workspace, having a docking station to bridge it with all your peripherals makes a huge difference in your workflow.
The Sony a1 is undoubtedly one of the most impressive cameras ever released, and it offers photographers and filmmakers extreme performance and the sort of versatility to tackle just about any project you need to. This excellent video review takes a look at the camera’s video performance and if it is the right choice for your work.
Sony just announced a lens that will get landscape photographers and astrophotographers excited: the 14mm f/1.8 GM. Check out this review from Gerald Undone and find out how it compares to the Sigma 14mm f/1.8 DG HSM.
Currently on sale for just $249 and weighing less than half a pound, the Tamron 20mm f/2.8 Di III OSD M 1:2 lens is an affordable, versatile, and highly portable lens. How does it hold up in practice? This excellent video review takes a look at the sort of performance and image quality you can expect from it.
