With the release of cameras like the EOS R7 and EOS R10, Canon has shown they are interested in developing APS-C mirrorless cameras alongside their full frame mirrorless line. In tandem with that, we have seen the introduction of RF-S lenses specifically designed for the APS-C format. This excellent video review takes a look at one such lens, the Canon RF-S 18-150mm f/3.5-6.3 IS STM, and the sort of performance and image quality you can expect from it in practice.
The new Tamron 20-40mm f/2.8 Di III VXD is one of the more interesting lenses to come along in a while, offering an intriguing focal length range that sacrifices reach at the long end compared to a 24-70mm for the ability to go wider than the usual 24mm, putting it somewhere between a standard zoom and an ultra-wide angle zoom. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Tamron has continued to establish themselves as a company that creates both lenses that make smart compromises to get to affordable price points and others that push the boundaries of design. The new 20-40mm f/2.8 Di III VXD is quite the interesting option, sitting somewhere between a wide angle zoom and a standard zoom. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
I always wanted to sell my photography as fine art but always felt like it would take too much time to do it myself or that the quality of online platforms would be too low. That was until I found a solution that meant very little work for me with no compromises on quality, pricing, or customer support. If this sounds too good to be true, then keep reading for an in-depth look at the new Darkroom.com storefront that is now offering you more tools and features to sell your prints online during the holidays, the easy way.
Traditionally, decent image quality from a supertelephoto focal length costs a pretty penny, which is what makes the Sigma 150-600mm f/5-6.3 DG OS HSM, which costs less than $1,000, a particularly intriguing lens for many creatives. Can it offer performance and image quality that punch above that budget price, though? This excellent video review takes an in-depth look at what you can expect from the lens.
Portrait photographers generally prefer focal lengths over 50mm. This is because these types of focal lengths help to produce a more flattering look. Personally, I find a 50mm lens to be slightly too wide and an 85mm lens just a tad too long. For this reason, I thought I’d compare two lenses that sit in-between these focal lengths.
Do you all remember the when Sigma released the “Bigma” in 2001? The Bigma, or Sigma 50-500mm f/4-6.3 EX DG HSM, dominated the amateur and semi-professional market. 22 years later, in a time of mirrorless cameras and high-end optics, the next Bigma is here. Welcome to the new Sigma 60-600mm for Sony E. Is it worth your money? Read on to find out.
There’s nothing like having a neat and efficient workstation, and for on-the-go digital creatives, this means having a laptop that you can bring everywhere is obviously a must. However, when in your personal workspace, having a docking station to bridge it with all your peripherals makes a huge difference in your workflow.
