Canon’s L series lenses are legendary, known for rugged construction, reliable performance, and class-leading image quality. With all that comes high prices, however. Nonetheless, the L series has been around for over 30 years, and that means there are some gems from past years that cost a fraction of what the most current models do. This great video review takes a look at one such lens, the EF 20-35mm f/2.8L.
Apple’s introduction of the M1 series of chips was a major paradigm shift for the company, bringing with them some of the efficient performance ever seen, allowing for powerful laptops that still managed to last all day. That, combined with other features, like a large and vibrant display, make the 16″ MacBook Pro with the M1 Max chip the seeming frontrunner for creatives on the go. Can it keep that title in practice? This excellent video review discusses one creative’s thoughts after a year with the laptop.
This review is for you if you’re a Capture One Pro user and are wondering if the iPad version is worth adding to your workflow. It is also for those who don’t yet use Capture One but are looking for a budget-friendly introduction to it and already own an iPad. I will be looking at the application’s features, pros and cons, and comparing them to the desktop version.
Are you thinking of buying yet another lens? Can’t wait for a new body? (In my case, reincarnation is the only option). This article covers the main reason why my Synology DS1821+ is the best purchase I made in 2020 for my photography business.
At just two inches (five cm) long and 8.1 oz (230 g), the Sigma 24mm f/3.5 DG DN Contemporary is an exceedingly portable lens at an ideal focal length for walkaround work or quick and versatile events coverage. This great video review takes a look at the lens and if its image quality and performance can match its sleek design.
Sony recently announced their new beast of a fifty: the 50mm f/1.2 GM, which is getting some glowing reviews. How does it compare to the Zeiss 50mm f/1.4 and is it worth splashing out if you already own the older, slower lens?
Medium format lenses generally have narrower apertures than their full frame counterparts, and it is very rare to see one that opens wider than f/2, which is what makes the Fujifilm GF 80mm f/1.7 R WR so intriguing. This excellent video review takes a look at the lens, including its performance and image quality, and also offers some helpful portrait posing tips in the process.
