An 85mm lens with a wide aperture is one of the most popular choices among photographers, offering the classic focal length for portraits paired with narrow depth of field and a lot of bokeh. Such lenses can run quite high in price, however, sometimes well over $2,000. The Tokina atx-m 85mm f/1.8 FE comes in at a significantly lower price, and this great video review takes a look at the sort of performance and image quality you can expect from it in practice.
Generally, the longest focal length lenses available are 800mm f/5.6 options, aside from rare or discontinued examples. And even as a prime, such a lens is massive. So, you can imagine just how big things get if you want to make a zoom that can reach 800mm with an f/5.6 aperture, but that is just what this lens known as the “Sigmonster” can do.
A 35mm lens with a wide aperture has long been one of the most popular options for both photography and filmmaking, offering a wide but relatively neutral focal length that can cover everything from portraits to landscapes. There are a lot of 35mm lenses available to choose from, and this excellent video review takes a look at one of the most affordable options, the Viltrox 35mm f/1.8 AF.
The Canon RF 50mm f/1.2L USM lens was one of the first made for the company’s full frame mirrorless mount, and it put the photography world on notice by showing Canon was committing to a new standard of image quality in their RF lenses, a standard that has been upheld in many of their lenses released in the last few years. This great video review talks about the lens’ performance and image quality after three years and almost 70,000 photos and if it is worth the premium price.
Canon makes a lot of fantastic portrait lenses that fit a wide range of needs, aesthetic preferences, price ranges, and more. Four of their best are the RF 85mm f/1.2 L USM, RF 100mm f/2.8 L Macro IS USM, EF 135mm f/2L USM, and RF 70-200mm f/2.8 L IS USM, and this excellent video comparison takes a look at all four to help you decide which is right for you.
The Canon 7D and 7D Mark II were two of the most popular cameras of the DLSR era, giving photographers the chance to use a lot of the technology in Canon’s upper-level full frame bodies at a significantly lower price. The EOS R7 continues that tradition into the mirrorless space, and it brings with it a nice range of improvements and new features. This great video review takes a look at the camera and the sort of performance and image quality you can expect from it in practice.
Lenses like the Tamron 35-150mm f/2-2.8 Di III VXD have shown the company has their eye on creating options that can replace several more specialized optics in a photographer’s bag. The 50-400mm f/4.5-6.3 Di III VC VXD continues that trend by offering everything from normal to supertelephoto focal lengths, and this great video review takes a look at the lens and the performance and image quality you can expect from it in real-world usage.
