Samyang has long been known for making affordable and sharp manual focus lenses, but recently, they have started producing autofocus lenses as well, but they have still managed to keep prices below those of many first-party options. One such option is the 50mm f/1.4 AF Series II, and this fantastic video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Sony’s E PZ 10-20mm f/4 G is one of the newest lenses from the company, and even though it comes in a portable package and does not cost that much compared to comparable options, it packs in it a lot of nifty features for photographers and filmmakers alike. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
85mm lenses with wide maximum apertures are some of the most popular out there, particularly for portrait photographers, but they can also run well north of $2,000 for a good model. And so, at less than $200, the Meike 85mm f/1.8 is quite the intriguing lens, but do you get much at such a low price? This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
It’s been nine months since I started to live a nomadic life and do full-time travel and photography. To stay productive on the road, I had to exchange my old and trusty desktop PC for a portable solution. I’m a Windows user and decided to go with the Dell XPS 9510. In this article, I explain why and share how it held up over the past months.
85mm lenses are the traditional focal length of choice for portraiture, but on the other hand, they are certainly not the only option. 135mm lenses have long been a popular alternative, and there are some high-quality choices out there, such as the Sony FE 135mm f/1.8 GM. This excellent video review takes a look at the lens, its performance and image quality, and what makes it unique among other high-end portraiture options.
Viltrox has established themselves as a company producing extremely affordable lenses that nonetheless offer good image quality and respectable performance. For Sony, Fujifilm, and Nikon mirrorless APS-C shooters, the AF 13mm f/1.4 lens offers an appealing combination of a wide focal lens and wide maximum aperture, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
With the release of cameras like the EOS R7 and EOS R10, Canon has shown they are interested in developing APS-C mirrorless cameras alongside their full frame mirrorless line. In tandem with that, we have seen the introduction of RF-S lenses specifically designed for the APS-C format. This excellent video review takes a look at one such lens, the Canon RF-S 18-150mm f/3.5-6.3 IS STM, and the sort of performance and image quality you can expect from it in practice.
The new Tamron 20-40mm f/2.8 Di III VXD is one of the more interesting lenses to come along in a while, offering an intriguing focal length range that sacrifices reach at the long end compared to a 24-70mm for the ability to go wider than the usual 24mm, putting it somewhere between a standard zoom and an ultra-wide angle zoom. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Tamron has continued to establish themselves as a company that creates both lenses that make smart compromises to get to affordable price points and others that push the boundaries of design. The new 20-40mm f/2.8 Di III VXD is quite the interesting option, sitting somewhere between a wide angle zoom and a standard zoom. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
