If you’re looking to get into macro photography, the first party lens options can seem too expensive for a lens with a more niche use, particularly on the latest Z and R mounts. Laowa, however, has a very promising 100mm lens that even exceeds those other 100mm options in one notable way. hould it be the lens you choose when shooting up close?
Fujifilm’s GFX series rewrote the rules on medium format, bringing it to the price level of upper-level full frame options and opening an entirely new format to many photographers. The GFX 100S continues that, bringing a top-shelf sensor and capabilities at a price ($5,999) that is about as aggressive as you will see in any camera. As such, it is an intriguing option for wedding photographers. This great video takes a look at the camera and if it can keep up with the demands of the genre.
Yongnuo is well known for making highly affordable speedlights, but in the last few years, the company has branched out into manufacturing lenses that follow in that budget-friendly tradition. One such lens is the YN35mm f/2R DF DSM lens, and this excellent video review takes a look at how it performs in the real world.
Photographers and gamers, would you play a wildlife photography simulator? At first glance, it seems cheesy, but when I watched the trailer for Photography Simulator, it actually looks fun and engaging. I researched the game to learn more about it and share why you might enjoy this game too.
Apple’s latest iPhones have arrived, and they come with a wide variety of improvements on the photography front. With everything from Cinematic mode to macro capabilities, they promise to be versatile and powerful tools for photographers and filmmakers, and this great video review takes a look at the sort of photo capabilities and image quality you can expect.
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon’s 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?
One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
Good camera bodies and lenses are rarely cheap, and you can easily exceed five figures outfitting an entire kit. That does not mean you can’t find equipment at the other end of the spectrum, though it is going to be more of a lottery. If you need a good laugh, here is what $30 gets you on eBay.
