How Good Is the Fujifilm X-E4 Mirrorless Camera?

One of the unique features of the Fujifilm X Series is that almost every camera model has the same sensor, which means if you do not need top-shelf professional features, you can still get the best image quality the company has to offer. The X-E4 uses the company’s newest X-Trans sensor and adds a range of new and useful features while keeping an affordable price. This great video review takes a look at the camera and the kind of image quality and performance you can expect from it.

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Is the Tamron 150-500mm f/5-6.7 Di III VXD Lens Another Hit?

Tamron has been on a roll the last few years, producing lenses that offer great performance and image quality in tandem with smart compromises that help them undercut the prices of first-party manufacturers, often by significant amounts. The 150-500mm f/5-6.7 Di III VXD is one of their latest, and this awesome video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.

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A Review of the New Sigma 18-50mm f/2.8 DC DN Contemporary Lens

It might seem like full frame users get all the fun lenses, but APS-C shooters still make up a large portion of photographers. And while they can often use certain full frame lenses, having options made for specifically APS-C can save on size, weight, and price, often quite significantly. Sigma’s new 18-50mm f/2.8 DC DN Contemporary lens is made specifically for APS-C users, and this excellent video review takes a look at the performance and image quality you can expect from it.

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A Review of the Affordable Samyang 24-70mm f/2.8 AF Zoom Lens

A 24-70mm f/2.8 is the bread and butter lens for a huge range of photographers and filmmakers, offering a wide maximum aperture in tandem with some of the most commonly used focal lengths. Nonetheless, such lenses are rarely cheap. Samyang’s 24-70mm f/2.8 AF Zoom bucks that trend, however, making it quite the interesting option for a lot of creatives, and this great video review takes a look at the image quality and performance you can expect from it in practice.

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Can This Cheap Lens Keep Up With the Demands of Medium Format Cameras?

Medium format lenses tend to be pricier than their full frame or APS-C counterparts; after all, a bigger sensor requires bigger glass to match it. A sub-$1,000 medium format lens is a rarity; even rarer is a sub-$1,000 zoom lens. Fujifilm’s GF 35-70mm f/4.5-5.6 WR fits the bill, though, and this great video review takes a look at the lens and how it holds up on the GFX 50S II.

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