This internet-connected rower makes sweating fun by adding a layer of video game logic to your exercise routine.
Reviews
Lenovo’s Desktop PC Has Plenty of Beauty, Not Enough Brawn
This all-in-one desktop PC has a clever, eye-catching design, but its meager performance doesn’t earn kudos.
Microsoft’s Power BI gets new tools to prevent leakage of confidential data
Information protection makes sure that only people with permissions see data in Power BI, while retaining the ability to share top-level trends, balancing productivity and security.
Samsung’s Galaxy Buds Pro Are the Best Premium Earbuds
Samsung’s AirPods Pro competitors have better battery life, better sound, and a more comfortable fit than Apple’s buds.
A Barcode Scanner App With Millions of Downloads Goes Rogue
After an update in December, the app began infecting Android devices, bombarding users with ads on their default browser.
The AirPods Max Are Insanely Great—and Insanely Expensive
Apple’s flagship noise-canceling headphones have a premium build and a premium price tag, but they also sound better than the rest.
A Review of the Tamron 35-150mm f/2-2.8 Di III VXD Lens
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
How Does This Extreme Zoom Compare to This Extreme Prime Lens?
Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon’s 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?
Do You Need a 70-200mm f/2.8 Lens for Studio Work or Will f/4 Do the Job?
One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
Here’s How Much Camera $30 Gets You on eBay
Good camera bodies and lenses are rarely cheap, and you can easily exceed five figures outfitting an entire kit. That does not mean you can’t find equipment at the other end of the spectrum, though it is going to be more of a lottery. If you need a good laugh, here is what $30 gets you on eBay.
