Godox’s line of flashes, including the incredibly popular AD200 and V1, have become a mainstay of the on and off-camera lighting market. They’ve become so popular, in part, thanks to the surprising value and feature set offered at each price point. As a result, the AD100Pro, a new addition to the line, has quite the legacy to live up to. Has it earned a place in photographer’s bags?
One of the most annoying aspects of using front-mounted circular filters is that there are many different common sizes, which can quickly add up in cost and make you carry around a bag with a bunch of different filters. Canon’s unique Drop-In Filter EF-EOS R Mount Adapter solves that issue, allowing you to use a single ND or polarizing filter with any EF lens. This excellent video review takes a look at how it holds up in the real world.
Film photography has seen a bit of a resurgence in the last few years, and if you are just getting into it, the vast array of cameras out there can be a bit overwhelming at first. This great video review takes a look at a classic camera and a great choice for trying out film, the Canon A-1.
Sony Netherlands gave me a Sony a1 for a review. During two weeks, I dove into this amazing camera, learning about all the things that make the Sony a1 the top of the Alpha line-up. I shot a lot of pictures and learned a lot of things about this camera. These are my thoughts.
The Nikon Z 7II is a high-resolution full frame camera and the updated brother of the z7. Now 6 months on, how has the camera performed for me shooting landscapes? Faultless in my opinion. Well, except for one thing, but I’ll speak about that later.
A wide-aperture 50mm lens is one of the most versatile optics a photographer can own, suitable for everything from portraiture to low-light events work. For Sony shooters, the FE 50mm f/1.2 GM offers an extremely wide maximum aperture and features geared toward professional use, and this awesome video review takes a look at the sort of image quality and performance you can expect from it in practice.
