Supertelephoto zoom lenses are useful for a wide range of genres, including everything from sports and wildlife to landscapes. There are a lot of options out there, and this excellent video review takes a look at four of them, the Sigma 150-600mm f/5-6.3 DG DN OS Sport, Sony 200-600mm f/5.6-6.3 G OSS, Sony 100-400mm f/4.5-5.6 GM OSS, and Tamron 150-500mm f/5-6.7 Di III VC VXD.
Sony cameras are well known for standing at the forefront of technological innovation, offering top-notch image quality and class-leading features. What were their cameras like when they first started, though? This fun video review takes a look at the company’s first digital camera, the DSC-F1, and what it is like 25 years later.
In Part 1 of this In-Depth review, I outlined the core philosophy of Photo Mechanic Plus before going on to summarize and test the ingestion process. Arguably, this is the star in the crown however, Camera Bits have now added an image catalog allowing it to manage your photo archive. Read on to find out how it performs, as well as a comparison with Lightroom’s own catalog.
It might seem like full frame users get all the fun lenses, but APS-C shooters still make up a large portion of photographers. And while they can often use certain full frame lenses, having options made for specifically APS-C can save on size, weight, and price, often quite significantly. Sigma’s new 18-50mm f/2.8 DC DN Contemporary lens is made specifically for APS-C users, and this excellent video review takes a look at the performance and image quality you can expect from it.
The Sony a7R IV is the highest resolution full frame camera ever made, and it brings with it a range of advanced features from Sony’s other camera lines, making it a versatile option for everything from portraiture to landscape photography and more. This great video review takes a long-term look at the a7R IVA and how it holds up for photo and video work in a range of scenarios.
Samyang, long known for producing highly affordable but sharp manual focus lenses, has expanded into autofocus offerings in recent years while still keeping their lineup at prices well below first-party options. The new AF 135mm f/1.8 FE offers a popular portrait focal length with a pleasingly wide maximum aperture, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
The OM System OM-1 is here, and it brings with it some mightily impressive improvements and upgrades along with a range of new features that help to modernize the system and make it competitive with APS-C and full frame options again. This great video review takes a look at the new camera and the kind of performance and image quality you can expect from it in practice.
When Aputure released the LS 600d Pro, it took the market by storm and signaled an era of high-power LED coming. But when the LS 600X Pro came out, it took the D version and made it greater. I’ve been using the 600X Pro for the past month, and here are some of my thoughts on it.
If you’re entering the video production industry, you’ll be bound to start collaborating with colorists, motion graphics artists, and clients. You’ll also start using cloud-based uploading for review. You’ll be happy to know Frame.io is now included to use in Adobe Creative Cloud, so if you’re a Premiere Pro user, you’re getting a great workflow enhancer for free.
