Lenses like the Tamron 35-150mm f/2-2.8 Di III VXD have shown the company has their eye on creating options that can replace several more specialized optics in a photographer’s bag. The 50-400mm f/4.5-6.3 Di III VC VXD continues that trend by offering everything from normal to supertelephoto focal lengths, and this great video review takes a look at the lens and the performance and image quality you can expect from it in real-world usage.
Few cameras have been more hotly anticipated in the last decade than the Sony a7 IV, particularly after the a7 III became one of the most popular cameras in several years for its impressive combination of versatility, quality, and affordability. So, how has the a7 IV held up in the long run? This excellent video review discusses one photographer’s experience after a year of using it.
Another worthy contender enters the ring. Tamron has just released the 50-400mm f/4.5-6.3 Di III VC VXD. With this lens in my bag, I am freshly back from a whirlwind trip to Colorado, Utah, Arizona, and New Mexico. Check out what I saw and my thoughts on how the lens performed.
Canon’s 7D line of APS-C DSLRs were very popular during their time, offering many features and capabilities from high-level professional cameras in much more affordable bodies. The EOS R7 has continued that in the mirrorless age, and in the meantime, it has also brought with it a wide range of new features and upgrades that make it appealing for a lot of creatives. This great video review takes a look at the EOS R7 in a challenging scenario and just how far you can push those capabilities.
In 2013, Tamron released the SP 150-600mm f/5-6.3 Di VC USD, which became a runaway hit for the company, offering access to extreme focal lengths at a much more affordable price than before. In the decade since, 150-600mm lenses have exploded on the market, with many options available. This excellent video review takes a look at one such option, the Sigma 150-600mm f/5-6.3 DG DN OS Sports, and the sort of performance and image quality you can expect from it in practice.
The fight for making the best premium portrait lens normally comes down to a few properties: a short telephoto focal length, a wide aperture, stellar sharpness (even wide open), and great bokeh. This lens offers all four of those things, often in spades. Is it the ultimate option for portrait photographers? This excellent video review takes a look.
Constant lighting has dropped dramatically in price, with companies like SmallRig making excellent products — along with accessories — that are refreshingly accessible. How good is the SmallRig RC120B, a bicolor packing a decent amount of power and coming in at just $259?
The new 50mm f/1.4 DG DN Art is awfully impressive, offering loads of impressive image quality at an equally impressive price. Nonetheless, as part of the G Master series, the Sony FE 50mm f/1.2 GM brings with it some of the company’s most advanced optical design. So, how do the two compare? This excellent video review takes a look at both.
