The files we create on set are getting larger and larger. With 8K footage and 50+ megapixel stills becoming more common, we need fast portable drives to get our files from set to workstation and for working on the road. Caldigit have just updated their Tuff Nano NVMe drives to a 2TB Tuff Nano Plus to help alleviate this struggle.
Fujifilm’s new GFX 50S II is the company’s most affordable medium format camera, but does the performance make it a worthwhile purchase when there are full frame cameras available with similar resolutions? This review seeks to find out.
A portfolio review is a great way to get feedback and direction for your photographic practice. It’s also a great way to connect with industry professionals. If you have been considering getting your work professionally reviewed, this article can shed some insights on what to expect and how to prepare.
A 24-70mm f/2.8 is the bread and butter lens for a huge range of photographers and filmmakers, offering a wide maximum aperture in tandem with some of the most commonly used focal lengths. Nonetheless, such lenses are rarely cheap. Samyang’s 24-70mm f/2.8 AF Zoom bucks that trend, however, making it quite the interesting option for a lot of creatives, and this great video review takes a look at the image quality and performance you can expect from it in practice.
Tamron really hit it out of the park with the 28-75mm f/2.8 Di III RXD, which offered an incredible balance between performance, image quality, portability, and, perhaps most importantly of all, price. The second iteration of the lens is now available, and it builds on the original with a range of improvements. This excellent video review takes a look at the new version and the sort of performance and image quality you can expect from it in practice.
The Tamron 28-75mm f/2.8 Di III RXD was a runaway hit for the company, using smart compromises to offer a light and portable lens with great performance and image quality at a price that significantly undercut offerings from first-party companies. The second generation of the lens brought with it a range of improvements over the already impressive original version, and this great video review takes a look at the performance and image quality you can expect from it in practice.
Perhaps no camera series has created a larger paradigm shift in the industry in the last decade than the Fujifilm’s GFX series, which brought medium format prices into direct competition with the upper levels of full frame and modernized many of its capabilities at the same time. The GFX 100S is one of the most impressive options in the line, and this great video review discusses one photographer’s thoughts after eight months with the camera.
50mm lenses can cost anywhere from under $100 to well over $2,000, with options filling out that range at just about every price point. While those sub-$100 lenses are fantastic learning tools, eventually, you will probably want to upgrade to a higher-quality option. The Viltrox AF 50mm f/1.8 lens seems to hit the sweet spot between quality and price, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
