Do you all remember the when Sigma released the “Bigma” in 2001? The Bigma, or Sigma 50-500mm f/4-6.3 EX DG HSM, dominated the amateur and semi-professional market. 22 years later, in a time of mirrorless cameras and high-end optics, the next Bigma is here. Welcome to the new Sigma 60-600mm for Sony E. Is it worth your money? Read on to find out.
The Canon EOS R8 offers an affordable route into the company’s full frame mirrorless lineup, making it an appealing choice for a wide array of amateurs and professionals alike. This excellent video review takes a look at the camera and the sort of performance and image quality you can expect from it in usage.
A 24-70mm f/2.8 lens is the workhorse of choice for a ton of photographers and filmmakers, offering a versatile focal length range and a wide maximum aperture. They can be quite expensive, however, which is why Sigma’s 24-70mm f/2.8 Art, which is about half the price of first-party options, is so intriguing. This excellent video review takes a look at the lens and if it can compete with more expensive options.
At just two inches (five cm) long and 8.1 oz (230 g), the Sigma 24mm f/3.5 DG DN Contemporary is an exceedingly portable lens at an ideal focal length for walkaround work or quick and versatile events coverage. This great video review takes a look at the lens and if its image quality and performance can match its sleek design.
One of the best and most complete solutions to post-processing is somewhat of a well-kept secret. Zoner Photo Studio X is growing in popularity and it’s easy to see why.
