I often get together with some of my photographer friends to experiment with lighting techniques and try out new gear. Recently, my friend, John, stopped by the studio, and we decided to have a go at recreating a Dan Winters portrait. In this video, I detail my process, including the lighting I used as well as my editing process.
Gaining technical competence is hard enough, but developing an original creative voice is an entirely separate challenge. This can be particularly tough in a genre in which you do not get control over the presence or placements of elements in the scene, such as landscape photography. If that is something you find yourself struggling with, check out this fantastic video essay that discusses the process of finding originality in landscape photography.
Whenever I’m on assignment, I’ll typically bring a film camera along with me. For breaking news work, they’re not particularly useful; no editor in their right mind is going to wait for me to return home, develop, process, edit, and upload my film frames, no matter how good the final product might be. However, this lens has made me rethink my process a bit.
When it comes to working with artificial lighting, there is sometimes the misconception that professional images require multiple sources, all of which are big, heavy, and expensive. That is not always the case, though. In fact, you can create professional-level shots with just a single speedlight, and this excellent video tutorial will take you through the entire process, from setting up the shot through post-processing.
You can be proficient with a camera and lighting and have a strong creative voice, but to find success as a professional photographer takes strong business skills as well. If that is something you are new to and you would like to improve, check out this great video tutorial that will give you some helpful advice for the process of booking new clients to help you increase your chances of landing the job.
Photography can be a frustrating thing. It takes a combination of technical skills, creative vision, and often, a bit of luck, and any one of them going awry can throw off the entire process and final result. If you are feeling a bit frustrated by the whole thing lately, check out this great video that features an experienced photographer discussing three reasons why you might be experiencing that irritation and what you can do to remedy the situation.
For the most part, I have total control over my client’s experience with me. I know and understand every aspect because that’s my livelihood and passion. I research my equipment, control my backups, work from calibrated monitors and meticulously set up how I deliver images to my clients. However, I’ve always been in the dark about one aspect of the process, wedding albums.
