Using Liquify to Improve Your Portraits

Any photographer with experience in portraiture knows that the image captured in camera is far from a finished portrait. Post-processing of portraits is a skill that takes time and practice to learn. Learning to use the Liquify tool can help to make a good image into a great image. As with all of the tools in Photoshop, it’s important to know how much is too much.

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Shooting Portraits With an Insane 400mm f/2.8 Lens

Traditionally, portraits are shot with focal lengths between 50mm and 135mm, though there is no reason you can’t use a longer focal length. Nonetheless, 400mm f/2.8 lenses are traditionally reserved for professional sports and wildlife photographers who need a lot of reach and the ability to capture as much light as possible. With super-sharp results and a narrow depth of field, they seem like a great (if somewhat impractical) option for portraits, and this fun video shows you what you can expect.

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Mentorship and the Illusion of Originality: An Interview With Portrait Master Ivan Weiss

I had the fortune to sit down recently with London-based photographer Ivan Weiss, whom I consider one of the great portrait artists of our time. Weiss’ unique body of work has been featured by Canon UK, Affinity Photo, Vogue, BBC, and Forbes, among others, and he also leads the Portrait Track in Peter Hurley’s Headshot Crew, where he mentors other photographers. Our conversation focused on the illusion of originality in art, mentorship, and why you need to “stay on the bus” in order to reach your full potential.

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A Beginner’s Guide to Flash Photography

A lot of photographers feel a bit overwhelmed by the prospect of learning how to work with flash, but once you learn the fundamentals of how light behaves and how to control it, you will find strobes are not that great a mystery and that they can open an entirely new creative world. If you are new to working with artificial light, check out this fantastic video tutorial that will get you up and creating images in no time.

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